
Monday, July 9, 2012, 7 pm, at Boswell:
Sheila Kohler, author of The Bay of Foxes, Becoming Jane Eyre, and Cracks.
--Christopher Benfey reviews Becoming Jane Eyre in The New York Times, imagining how exactly a fictional character gets imagined in an author's eye. Hey, that ties into some of the themes of the new novel!

--Kirkus on Cracks: "First-rate psychological suspense, in the tradition of The Children’s Hour, played out flawlessly and well by a real master of narrative?
--And Largehearted Boy gets a music playlist that ties into her last novel, Love Child.
--Too early for trade reviews on the new book. Shelf Awareness had an advance review, but it's more of a plot summary.
***
Tuesday, July 10, 2012, at Boswell:

--Daneet Steffans in the Independent (a British paper) not only gives the new memoir a good write up, but notes that the last two books (including Scribbling the Cat) were terrific books of reportage.
Judy Bolton-Fasman reports in the Boston Globe that "Fuller brilliantly captures her mother" in the new memoir.

--And just to jump-start your memory, here's a taste of Don't Let's Go to the Dogs Tonight, with its A from Entertainment Weekly.
***
Wednesday, July 11, 7 pm, at Boswell:
Patrick Somerville, author of This Bright River and Cradle
along with
Dean Bakopoulos, author of My American Unhappiness.
--Anthony Bukoski in the Star Tribune of Minneapolis: "For some readers, the novel may develop slowly as Somerville prepares us for the surprises in the book's second half. Readers shouldn't be discouraged. This is a fine book that will advance the author's already impressive career."

--And Joseph Peschel in the St. Louis Post-Dispatch: This Bright River is a serious and beautiful book about rebuilding broken lives that Somerville has disguised as entertainment."
And for My American Unhappiness, now in paperback, a trip to 2011 in the wayback machine offers more links.

--Margaret Wappler in the Los Angeles Times: " a fresh-spirited, timely satire crossed with '70s-style sexual comedy."

--And finally, Dean's author notes about the book, and why the book feels incomplete because Mark Gates never got to read it.
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