
Brigid Pasulka, author of The Sun and Other Stars
Pasulka won the PEN/Hemingway award for A Long, Long, Time Ago and Essentially True, and it was a book I enjoyed handselling in paperback. It's the story of a family legacy in Poland, through two lovers on the eve of World War II, and their granddaughter fifty years later who returns to the homeland. Sales of the previous book have picked up in advance of this event.
Her new novel, The Sun and Other Stars, trades Poland for Italy. It's the story of Etto, a young man in mourning for the deaths of his mother and brother, and estranged from his father. A famous but currently disgraced Ukrainian soccer star comes to town in hiding, with his beautiful sister in tow, and that leads to some awakening of spirit in Etto and when the town figures out what's happening, some craziness.

But it's The New York Times review this weekend that was a breath of fresh air, after a rather mean-spirited, almost vindictive writeup from the Chicago Tribune*. I wonder what the backstory on that. Yes, it's an old fashioned tale, free from, as Mike Peed, genre mashing and excel spreadsheets. But "the sincerity of this tale of psychological recovery gratifies. As it hums to its conclusion, the reader is pleased by the realization that San Benedetto’s most aggrieved native is, at last, learning how to, 'you know, live.'"

Angela Sorby, author of Over the River and Through the Wood: An Anthology of Nineteenth-Century American Children's Poetry
Angela Sorby and I started talking together about this presentation just after the new year. It's a great collection of children's verse, and I think there are a lot of our customers who would like to hear more about it. At Boswell, Jannis has lauded it as a wonderful find. That said, it's published as an academic work, so it might not wind up in every parent's nursery, even though it should!

So back to Jim Higgins' terrific review in the Journal Sentinel. All I'm saying is that we may have a few copies of Sorby's The Sleeve Waves on sale, but you are not to celebrate too much, as we are pre-pub date. The true toasts come on April 16 in Bay View. Instead, you are to spend an evening being delighted by classic children's poetry. Do you understand or am I going to have to make you go to your room without your tablet?

From the UEC: naturalist Joel Greenberg wanted to mark the centenary of the passenger pigeon's extinction by writing a book with a broader hope that the anniversary could be a vehicle for informint the public about the bird and the importance that its story has to current conservation issues. How could a species that numbered in the billions as late as 1860 completely disappear by 1914? What does that say about our current relationship with the natural world?

*I would normally not link to a review like this but I was sort of shocked by how disparaging it was to a Chicagoan like Pasulka. Looking at Jollimore's body of work (poetry and philosophy), he's incredibly accredited and equally talented, but he seems like the wrong match for a book like this. But as I started to think about whether things would be different if the review had been in the Los Angeles Times or the Miami Herald, I realized how the most difficult job is theater critic (which amusingly enough, our book critics share) because outside of New York, the productions are almost always local that you're reviewing and they can't all be amazing. So honestly, I'm not sure what I would have done if I were in the editor's shoes. Do you run a really bad review of a local author's book, do you nuance it, or do you kill it and suggest it be submitted elsewhere? Let the replies pour forth.
Addendum: My first reply was from Ann at Lake Forest Bookshop, who wrote an essay about this topic for the Books on the Table blog. It also is a beautiful recommendation for Brigid Pasulka's novel.
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