1. Fates and Furies, by Lauren Groff
2. Those We Left Behind, by Stuart Neville
3. After You, by Jojo Moyes
4. Purity, by Jonathan Franzen
5. The Secret Chord, by Geraldine Brooks
6. All the Light We Cannot See, by Anthony Doerr
7. The Survivor, by Vince Flynn, as channelled by Kyle Mills
8. Go Set a Watchman, by Harper Lee
9. The Girl in the Spider's Web, by Stieg Larsson, as channelled by David Lagercrantz
10. Wind/Pindball, by Haruki Murakami
I noticed that we've got a little inconsistency regarding these dead author series being continued by living authors. Do you put the brand author first or the effective ghostwriter, only they are actually the writer that's not the ghost, in this case? Does it make a difference whether the original writer came up with the idea? In the case of The Survivor, from Vince Flynn/Kyle Mills, this past week there was a tribute event at Saint Thomas Academy in Mendota Heights. You can read his story here, including how he self-published his first book when he couldn't get a deal.
Hardcover Nonfiction:
2. Courtroom Avenger, by Robert Habush and Kurt Chandler (event 10/14 at Marquette - register here)
3. Once in a Great City, by David Maraniss
4. Between the World and Me, by Ta-Nehisi Coates
5. Two Dollars a Day, by Kathryn Edin and H. Luke Shaefer
6. Furiously Happy, by Jenny Lawson (event 10/27 at Bowsell)
7. Four Things That Matter Most, by Ira Byock
8. M Train, by Patti Smith
9. A Common Struggle, by Patrick Kennedy
10. What the Best College Students Do, by Ken Bain
11. What the Best College Teachers Do, by Ken Bain
12. Being Mortal, by Atul Gawande
13. My Kitchen Year, by Ruth Reichl
14. Brief Candle in the Dark, by Richard Dawkins
15. Germany, by Neil MacGregor
Of the latter, it was more news than reviews that drove sales. Michelle Smith wrote in The Associated Press (via The Detroit News) that "a new book by former U.S. Rep. Patrick Kennedy, youngest son of the late Sen. Edward Kennedy, openly discusses what he says are the mental illnesses and addictions of himself and his family members, and takes on what he portrays as a veil of secrecy used to hide the problems of America’s most famous political family." It's fascinating that this book is coming out at the same time as the two biographies of Rosemary Kennedy.
Paperback Fiction:
1. The Cartographer of No Man's Land, by P.S. Duffy
2. Again and Again, by Ellen Bravo
3. My Brooklyn Writer Friend, by Greg Gerke
4. The New York Stories, by Ben Tanzer
5. Lila, by Marilynne Robinson
6. A Marvel and A Wonder, by Joe Meno
7. The Martian, by Andy Weir
8. The Coincidence of Coconut Cake, by Amy E. Reichert
9. Lost Canyon, by Nina Revoyr
10. My Brilliant Friend, by Elena Ferrante
Only three of these authors are not riding the momentum of recent Boswell events. You give me a call if Andy Weir, Marilynne Robinson, or whoever is Elena Ferrante want to do an event at Boswell. We've got three editions of The Martian now, not including the hardcover, which is also still available. When possible and by whim, I sometimes combine the sales of the regular and movie-tie-in cover editions for bestellers, but I keep the rack edition separate because of its different price point (and often we don't have the rack edition). It was #15 this week. The film has a 93% score on Rotten Tomatoes. That seems very high to me but I don't generally follow these things.
Paperback Nonfiction:
1. The Best Care Possible, by Ira Byock
2. Dying Well, by Ira Byock
3. When Pride Still Mattered, by David Maraniss
4. A General Theory of Love, by Thomas Lewis
5. Policing in Milwaukee, by George L. Kelling
I know that Policing in Milwaukee: A Strategic History sounds more like an Arcadia series title, and in fact there is one called Milwaukee Police Department, but this is actually a history book from Marquette University Press. From his recent interview on Lake Effect, Kelling notes that "The more police departments adopted new technology and strategies, the more they isolated themselves...police moved from being an integral part of the community to being a response organization, riding around in cars waiting for something to happen." Read the rest of the interview here.
Books for Kids:
1. Orbiting Jupiter, by Gary D. Schmidt
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ2iaEDBdl4TpvZKOEn5OARmrDytLMSwPxtfUguJdFDunLk19ZS0K9Yji_qpt6lyzyT6MXQacC_zf87yhMHPTnjQaVpBZJqayYy92NCSa-YbmT4aCe8XKgKgJTn_ieW5gDpaNzp6FXcog/s1600/Orbiting+Jupiter+1015+small.gif)
3. The Marvels, by Brian Selznick (free event at Alverno 10/12, register here)
4. Hello?, by Liza Wiemer
5. Carry On, by Rainbow Rowell
6. Harry Potter and the Sorcerer's Stone, illustrated edition, by J.K. Rowling
7. Magnus Chase and the Gods of Asgard, by Rick Riordan
8. The Odds of Getting Even, by Sheila Turnage
9. Big Nate: Welcome to My World, by Lincoln Pierce (event Greenfield Public Library 10/13, 6:30)
10. Dewey Bob, by Judy Schachner
Several high-profile books for kids were released this week. On a side note, I have wobbled betweeen "kids books" and "kids' books" over the years. When I wrote kids without an apostrophe, a reader immediately chastised me. Now that we have Sarah, who know the style guides inside and out, she confirmed that you do not need an apostrophe because "kids books" means "books for kids," not "books belonging to kids." She's also got me getting on the right track for what to capitalize in titles.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaKWrza3Aal9h3qz2Ru2T3LGCouAf75lSV8WgY73ln0tVFjwb6wOJF1FPvR4zT80MUJv6kupmc3KIzcXLtbDSyFiBqP_Ix6iTNcbTUiRcusTMzdU4YERBodNsiUy0th4gdm2geklVXYao/s1600/Marvels+1015+small.jpg)
*In addition to reviewing books and theater.
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