Hardcover Fiction:
1. All the Light We Cannot See, by Anthony Doerr
2. The Girl on the The Train, by Paula Hawkins
3. The Big Seven, by Jim Harrison
4. Etta and Otto and Russell and James, by Emma Hooper
5. Lila, by Marilynne Robinson
6. Outline, by Rachel Kusk
7. Vanessa and Her Sister, by Priya Parmar
8. Mr. Mac and Me, by Esther Freud
9. West of Sunset, by Stewart O'Nan (event Friday 3/20)
10. The Soul of Discretion, by Susan Hill
1. The Life-Changing Magic of Tidying Up, by Marie Kondo
2. Plenty More, by Yotam Ottolenghi
3. When the Facts Change, by Tony Judt
4. The Man Who Couldn't Stop, by David Adam
5. Convictions, by Marcus Borg
6. The Oldest Living Thing in the World, by Rachel Sussman
7. This Changes Everything, by Naomi Klein
8. The Secret History of Wonder Woman, by Jill Lepore
9. Yes Please, by Amy Poehler
10. There Was and There Was Not, by Meline Toumani
1. Shotgun Lovesongs, by Nickolas Butler (event Thursday 4/16 at Shorewood Public Library)
2. Lydia's Party, by Margaret Hawkins
3. Istanbul Passage, by Joseph Kanon (event Wednesday 3/11)
4. What the Lady Wants, by Renée Rosen
5. I Am Pilgrim, by Terry Hayes
6. Someone, by Alice McDermott
7. Mr. Palomar, by Italo Calvino
8. This Old Homicide, by Kate Carlisle
9. The Strange Library, by Haruki Murakami
10. The Alchemist 25th Anniversary Edition, by Paulo Coelho
1. Slowing Time, by Barbara Mahany
2. The Boys in the Boat, by Daniel James Brown
3. Kitchen Literacy, by Ann Vileisis
4. Gaming at the Edge, by Adrienne Shaw
5. Men We Reaped, by Jesmyn Ward
6. Farm City, by Novella Carpenter
7. The Girls of Atomic City, by Denise Kiernan
8. The Value of Nothing, by Raj Patel
9. Christianity without God, by Daniel Maguire
10. Guerrilla Gardening, by David Tracey
UWM classes start and that means some course adoption titles creep into our top ten. As I generally mention at this point, we provide books for very few classes, usually from professors who use trade (as opposed to text) titles who want their students to step off campus and possibly discover a local bookstore. It's fun when I've actually read one of the titles, like Novella Carpenter's Farm City, the story of a woman who raised crops and even livestock on an urban plot in Oakland. It was one of New York Times critic Dwight Garner's favorite books of 2009, the year it came out.
1. The Boy in the Black Suit, by Jason Reynolds (event Mon. 4/13 at East Library)
2. All Fall Down #1: Embassy Row, by Ally Carter
3. Top Ten Clues You're Clueless, by Liz Czukas
4. The Lonely Hearts Club, by Elizabeth Eulberg
5. Ask Again Later, by Liz Czukas
6. We Can Work it Out, by Elizabeth Eulberg
7. Sam and Dave Dig a Hole, by Mac Barnett and Jon Klassen (event for Barnett at Cudahy Library Tues 3/3)
8. Cartwheeling in Thunderstorms, by Katherine Rundell
9. Prom and Prejudice, by Elizabeth Eulberg
10. I was Here, by Gayle Forman
Just out is I Was Here, the newest from Gayle Forman, one of the YA stars of 2014, due to the release of If I Stay as a movie. Stephen Chbosky writes, of the new book, "I Was Here is a pitch-perfect blend of mystery, tragedy, and romance. Gayle Forman has given us an unflinchingly honest portrait of the bravery that it takes to live after devastating loss." Glad to know that Gayle Forman books will continue their tradition of three word titles. I think at this point a change up would throw everyone off balance.
Jim Higgins admires the versatility in Kelly Link's fine new collection, Get in Trouble. 'Link has won Hugo, Nebula, World Fantasy and Tiptree Awards for her fiction, but no single taxonomic label, such as fantasy, adequately covers what she does. She can turn a sentence to match any well-bred M.F.A.: "Was Maureen the golden light ahead or the darkness that followed behind?'"
If you need a second opinion, Sarah Waters writes: "Get in Trouble contains some of Link’s best writing yet. These are not so much small fictions as windows onto entire worlds. This is a brilliant, giddying read."
Front page on The New York Times Book Review is Guantánamo Diary, by Mohamedou Ould Slahi, reviewed by Mark Hacker.
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