One doesn't generally expect to see a baseball book in the fall, despite the uptick in interest from the World Series. That said, The 34 Ton Bat: The Story of Baseball as Told Through Bobble Heads, Cracker Jacks, Jockstraps, Eye Black, and 375 Other Strange and Unforgettable Objects (Little, Brown) might also be counterprogramming genius. It's hot to document history through objects, as we most recently saw with A History of Britain in Thirty-Six Postage Stamps. Sports Illustrated writer Steve Rushin has also appeared in Best American Magazine Writing. His history through objects includes the evolution of the uniform, the batting helmet, the gloves, and of course, the memorabilia. For more, here's a conversation with Bill Littlefield on WBUR.
Eclectic histories can be of a traditional subject told in a different way, or a little-known topic told traditionally. In the case of Richard Holmes, he's chronicled the history of ballooning in the new Falling Upwards: How We Took to the Air (Pantheon). I particular like the texture of the jacket, which mimics the rubber of a balloon. Holmes was short-listed for the Samuel Johnson Prize for The Age of Wonder (you know who that is, the subject of James Boswell's famous biography) and in his new book, he offers an account of the early Anglo-French rivalries, the long-distance voyages of entrepreneur John Wise and photographer Félix Nadar, and the Civil War flights used to document the horrors of the battlefield. Charles McGrath and Lori Holcomb document a balloon journey with Holmes in The New York Times.
The Yale "Little History" series has been a nice success at taking general subjects that have been covered exhaustively, and eloquently making them not just palatable, but mouth-wateringly readable. The original Little History of the World continues to sell well, with the illustrated version being a surprise hit. Additional entries covered science and philosophy. This fall John Sutherland's A Little History of Literature has been published, covering everything from Beowulf to Moby Dick to 1984 and dozens more, enlivening his his offerings with humour (ah, not reset for the U.S.) as well as learning. As you know, Yale has a British office, so unlike the Holmes, which was an acquisition of a UK title, this was published in both countries by the same publisher. My interesting link has nothing to do with the new book, which like all books in the series, is a great cross-over to young adults. Instead, I note this quote from Sutherland on judging the Man Booker prize and not completely reading all the submissions: "You don't have to eat the whole fish to tell that it's off."
A more traditional history is the new Peter Ackroyd volume, The Tudors: The History of England from Henry VIII to Elizabeth I (Thomas Dunne Books). Why cover this well-trod territory? In this case, the key is to put the author's own spin on it. The publishers note that Ackroyd take is rich in detail and atmosphere. It turns out this is #2 in a six-volume series, the first of which was Foundation. In this interview with Gabrielle Pintera in British Weekly, he notes that the idea for this series came to him in a flash. He talks about the research, and how the arc of the book's narrative came to him. It came to be as much about the Church as royal family. John Cornwell reviewed the book in last year's Financial Times, when the book was published in the UK, after which, surely a customer came in to get it, found we didn't have it as it was not published here, and ordered it online. I hope that St. Martin's will come to the realization that for high-profile books, simultaneous releases need to be the way to go.
Aren't we Anglophiles today? Another book on our new and noteworthy cases is Servants: A Downstairs History of Britain from the Nineteenth Century to Modern Times (W.W. Norton), by Lucy Lethbridge. This renewal of interest in servant life obviously has Downton Abbey connections, and London writer Lethbridge has had very nice recommendations from Amanda Foreman, author of Georgina, and Hugh Brewster, the man behind Gilded Lives. Like Ackroyd, Letbridge's book came out in the UK first, with Ben Wilson reviewing it in The (London) Telegraph. But I don't mind this so much, because I suspect the book wasn't sold to Norton until well into the UK publishing process, as opposed to the Ackroyd, which would definitely come out in the USA.
What did Wilson think? "Servants is full of eyebrow-raising and laughter-inducing vignettes. But what is most fascinating is Lethbridge’s account of the dark side of the master-servant relationship. In the first decades of the century, thousands of young women slept in airless cupboards in the homes of the urban middle classes. Their stunted lives make for painful reading. It is told with great sensitivity"
One last title, an American release, that is likely to get some European coverage is The Family Jewels: The CIA, Secrecy, and Presidential Power, a timely book that documents the release of formerly classified CIA archive information, written by John Prados. Senior fellow in the National Security Archive, Prados is writer of over 20 books, and this new volume is part of the Discovering America series, which is overseen by Mark Crispin Miller. On the new release, Kirkus Reviews calls this "an impressive research effort showing how, when it comes to current political affairs, the past is almost always prologue."
Thursday, October 31, 2013
Wednesday, October 30, 2013
Hanukkah Table and a Bit of What's Featured On It, Including Our Events with Nina Edelman (11/17) and Alisa Solomon (11/21).
I was originally going to post this Hanukkah piece on the Saturday gift blog, and then I thought maybe it wasn’t the most respectful day to write about a Jewish holiday. So I found this slot in the middle of the week that hadn't had a post.
The big news is that while our Hanukkah boxed cards are out, we can only find two of our loose designs. In the past, we’ve filed carry overs with Christmas, but for some reason, they’ve disappeared. I have not idea why, but if we don’t come up with something, I’ll probably break up some of the boxes. Our sale is a tiny fraction of Christmas cards, but we do have a good amount of business, especially for kids, and always have a holiday-themed wrap for customers. Everyone was excited that we worked our way through the roll we used for the last three years.We've gotten several compliments.
I guess I was most excited about the Hanukkah ducks. There’s one with a dreidel, one with a menorah, and one who just seems to be going to bar mitzvah class. The minimums were a little high for us, but I emotionally spread out the sale over two years. No, we don’t mark everything down at the end of the holiday. Last year we’d brought in a Jenga-like game with skeletons, and it actually sold better the second year than the first (3 in each year, but we sold out faster in 2013). Maybe the placement in the store was better the second time.
We also have two events that tie into Hanukkah and National Jewish Book Month, which is November. On Sunday, November 17, we are hosting Shir Hadash shopping day, where a percentage of designated sales goes back to this Reconstructionist congregation. By designated, customers have to tell us that they are participating, and forgo their normal Boswell Benefits (but the benefit is double—10% instead of the 5% that customers get). The featured speaker at 3 pm is Nina Edelman, who is talking about her father Max Gendelman’s book, A Tale of Two Soldiers (Two Harbors). The story is a remarkable tale of friendship between and American and German solider, and is a great tribute to her dad. Now I just have to continue to panic over whether the books will arrive on time—it’s one of those deals where we order from Baker and Taylor and they order from the publisher.
Our second timely event is Alisa Solomon’s Wonder of Wonders: A Cultural History of Fiddler on the Roof (Henry Holt). This event is co-sponsored by the UWM Sam and Helen Stahl Center for Jewish Studies, the UWM Theater Department, and the Harry and Rose Sampson Family JCC, which is a mouthful. I’ve been working my way slowly through Solomon’s book. I was just a little young to know that Fiddler on the Roof’s success was built on a decade of Sholem Aleichem fever. This event is Thursday, November 21, 7 pm, and should be a lot of fun.
Wonder of Wonders has been getting some great attention: Shelley Salamensky in The Wall Street Journal called the book “ exuberant” as it “careers through the countless twists and turns of the "Fiddler" phenomenon.” And Eileen Reynolds in the Jewish Daily Forward praises the “particularly thoughtful analysis of how the story “has achieved something like folklore status in the American imagination, and grapples, as any history of this musical must, with fundamental questions about Jewish identity.”
Another interesting book for which we are not hosting the author is Hanukkah in America (NYU Press), by Dianne Ashton. It sometimes seems that there is little variation with the menorah, dreidl, latke triumvirate but Ashton proves this is not the case. In New Orleans, you decorate your door with a menorah made of hominy grits. In Texas, latkes are seasoned with cilantro and cayenne pepper. And per the author, a Cincinnati custom is to celebrate with oranges and ice cream. Ashton, a professor of religious studies at Rowan University, has gotten a starred review from Publishers Weekly, and Library Journal called it a “a successful and accessible history.”
Speaking of cultural traditions, Barbara Brown’s new book is Hanukkah in Alaska (Holt), with illustrations by Stacey Schuett. In it, a family celebrating not only see the northern lights, but a moose too.
And then there is Emily Stone’s Did Jew Know: A Handy Primer on the Customs, Culture, and Practice of the Chosen People (Chronicle), which is more meant for the impulse table. There’s not just info on how to keep kosher, but the history of the Jewish gangster, and Jewish influences on television, the movies, and the American musical (see above for Wonder of Wonders).
Finally there was a meow of enthusiasm for the 20th anniversary edition of Hanukcats: And Other Traditional Jewish Songs for Cats (Chronicle), by Laurie Loughlin. I have nothing to say about his, except that it’s pretty silly.
The big news is that while our Hanukkah boxed cards are out, we can only find two of our loose designs. In the past, we’ve filed carry overs with Christmas, but for some reason, they’ve disappeared. I have not idea why, but if we don’t come up with something, I’ll probably break up some of the boxes. Our sale is a tiny fraction of Christmas cards, but we do have a good amount of business, especially for kids, and always have a holiday-themed wrap for customers. Everyone was excited that we worked our way through the roll we used for the last three years.We've gotten several compliments.
I guess I was most excited about the Hanukkah ducks. There’s one with a dreidel, one with a menorah, and one who just seems to be going to bar mitzvah class. The minimums were a little high for us, but I emotionally spread out the sale over two years. No, we don’t mark everything down at the end of the holiday. Last year we’d brought in a Jenga-like game with skeletons, and it actually sold better the second year than the first (3 in each year, but we sold out faster in 2013). Maybe the placement in the store was better the second time.
We also have two events that tie into Hanukkah and National Jewish Book Month, which is November. On Sunday, November 17, we are hosting Shir Hadash shopping day, where a percentage of designated sales goes back to this Reconstructionist congregation. By designated, customers have to tell us that they are participating, and forgo their normal Boswell Benefits (but the benefit is double—10% instead of the 5% that customers get). The featured speaker at 3 pm is Nina Edelman, who is talking about her father Max Gendelman’s book, A Tale of Two Soldiers (Two Harbors). The story is a remarkable tale of friendship between and American and German solider, and is a great tribute to her dad. Now I just have to continue to panic over whether the books will arrive on time—it’s one of those deals where we order from Baker and Taylor and they order from the publisher.
Our second timely event is Alisa Solomon’s Wonder of Wonders: A Cultural History of Fiddler on the Roof (Henry Holt). This event is co-sponsored by the UWM Sam and Helen Stahl Center for Jewish Studies, the UWM Theater Department, and the Harry and Rose Sampson Family JCC, which is a mouthful. I’ve been working my way slowly through Solomon’s book. I was just a little young to know that Fiddler on the Roof’s success was built on a decade of Sholem Aleichem fever. This event is Thursday, November 21, 7 pm, and should be a lot of fun.
Wonder of Wonders has been getting some great attention: Shelley Salamensky in The Wall Street Journal called the book “ exuberant” as it “careers through the countless twists and turns of the "Fiddler" phenomenon.” And Eileen Reynolds in the Jewish Daily Forward praises the “particularly thoughtful analysis of how the story “has achieved something like folklore status in the American imagination, and grapples, as any history of this musical must, with fundamental questions about Jewish identity.”
Another interesting book for which we are not hosting the author is Hanukkah in America (NYU Press), by Dianne Ashton. It sometimes seems that there is little variation with the menorah, dreidl, latke triumvirate but Ashton proves this is not the case. In New Orleans, you decorate your door with a menorah made of hominy grits. In Texas, latkes are seasoned with cilantro and cayenne pepper. And per the author, a Cincinnati custom is to celebrate with oranges and ice cream. Ashton, a professor of religious studies at Rowan University, has gotten a starred review from Publishers Weekly, and Library Journal called it a “a successful and accessible history.”
Speaking of cultural traditions, Barbara Brown’s new book is Hanukkah in Alaska (Holt), with illustrations by Stacey Schuett. In it, a family celebrating not only see the northern lights, but a moose too.
And then there is Emily Stone’s Did Jew Know: A Handy Primer on the Customs, Culture, and Practice of the Chosen People (Chronicle), which is more meant for the impulse table. There’s not just info on how to keep kosher, but the history of the Jewish gangster, and Jewish influences on television, the movies, and the American musical (see above for Wonder of Wonders).
Finally there was a meow of enthusiasm for the 20th anniversary edition of Hanukcats: And Other Traditional Jewish Songs for Cats (Chronicle), by Laurie Loughlin. I have nothing to say about his, except that it’s pretty silly.
Tuesday, October 29, 2013
Event Wrap Up in Photos--Tom Franklin and Beth Ann Fennelly, Sara Paretsky, CJ Hribal
It's been close to a year now that I lost my camera, and since then, like most of the world, I've taken to using my phone. Though I've heard that the cameras in phones are often better than the stand alones, I feel like my pictures have gone a bit downhill, perhaps because I'm not using it correctly. But it's not like they are terrible, and I realized that after documenting the author visits I attended in Austin, I probably was giving short shrift to our homegrown events, post-event, and needed to fill you in on some of the interesting details.
We'd hosted Tom Franklin for Crooked Letter, Crooked Letter, and this time, we were lucky to have both Mr. Franklin and Beth Ann Fennelly together, having collaborated on The Tilted World. How nice that Ms. Fennelly's mom lives within commuting distance of the store, so there could be some famly time as well. We showed the two our flood display, complete with two dead bodies. The flood novels continue--Wally Lamb's latest, We are Water, has a Connecticut flood as an important plot point.
I was on the fence as to how to lay this event out. One shared podium or two conversation chairs? In this case, I thought podium, as I find it is difficult to read sitting down. On the other hand, because our event with Robert Boswell, in town to talk about Tumbledown, was structured more as a conversation with C.J. Hribal, we did set up the comfy chairs with coffee table (also known as bargain book bench) between them. Hribal read at a podium and then had the conversation. For Valerie Sayers, a more intimate group led us to do everything from the conversation chairs, including the reading.
As I had mentioned in a previous post, both Boswell and Sayers were authors that I had read in the past. That said, when it came time to get books signed, I didn't bring in the backlist. Oh well, I guess that puts them on the same level as Cathleen Schine, Alice McDermott, and Andrew Sean Greer. I guess that like our good customers Pat and Suzanne, I don't really value the signature as much as I thought I did.
Sara Paretsky had a more traditional event, a solo talk with a bit of reading from Critical Mass. I figured that as a Chicagoan, this trip would be leisurely for her, but some scheduling issues led her to have to rush from Houston. We learned about a short delay from one of our customers (the power of social media), but in the end, the event started pretty close to 3 pm, as promised.
I find that mystery writers understand that talking about the book seems to connect them with customers more than reading from it, though Paretsky did a nice reading that was much appreciated. The audience gave her a lot of love, and she threw the love right back. We had lots of feedback from attendees about how great the afternoon was (and they showed their appreciation by buying the book), and I couldn't agree more.
We'd hosted Tom Franklin for Crooked Letter, Crooked Letter, and this time, we were lucky to have both Mr. Franklin and Beth Ann Fennelly together, having collaborated on The Tilted World. How nice that Ms. Fennelly's mom lives within commuting distance of the store, so there could be some famly time as well. We showed the two our flood display, complete with two dead bodies. The flood novels continue--Wally Lamb's latest, We are Water, has a Connecticut flood as an important plot point.
I was on the fence as to how to lay this event out. One shared podium or two conversation chairs? In this case, I thought podium, as I find it is difficult to read sitting down. On the other hand, because our event with Robert Boswell, in town to talk about Tumbledown, was structured more as a conversation with C.J. Hribal, we did set up the comfy chairs with coffee table (also known as bargain book bench) between them. Hribal read at a podium and then had the conversation. For Valerie Sayers, a more intimate group led us to do everything from the conversation chairs, including the reading.
As I had mentioned in a previous post, both Boswell and Sayers were authors that I had read in the past. That said, when it came time to get books signed, I didn't bring in the backlist. Oh well, I guess that puts them on the same level as Cathleen Schine, Alice McDermott, and Andrew Sean Greer. I guess that like our good customers Pat and Suzanne, I don't really value the signature as much as I thought I did.
Sara Paretsky had a more traditional event, a solo talk with a bit of reading from Critical Mass. I figured that as a Chicagoan, this trip would be leisurely for her, but some scheduling issues led her to have to rush from Houston. We learned about a short delay from one of our customers (the power of social media), but in the end, the event started pretty close to 3 pm, as promised.
I find that mystery writers understand that talking about the book seems to connect them with customers more than reading from it, though Paretsky did a nice reading that was much appreciated. The audience gave her a lot of love, and she threw the love right back. We had lots of feedback from attendees about how great the afternoon was (and they showed their appreciation by buying the book), and I couldn't agree more.
Sunday, October 27, 2013
36 Minutes Compiling the Boswell Bestseller Lists for the Week Ending October 26, 2013.
I still haven't given up on the blog for this crazy week. I've got several half-written posts, and plan to finish and post them in their originally scheduled day. We'll see if that actually happens.
The big news for today is a small piece that you've probably already sent me. It's the Boswell mention in the 36 Hours column in The New York Times. If you're wondering, the Times covers Milwaukee about every five years. The 2008 edition gave a shout out to the old Renaissance Bookshop on Plankinton. The 2003 report had no bookstore but gave a high five to Beans and Barley.
Long-time readers of The New York Times column remember that it used to be configured as "What's doing in..." Here's a link to the 1989 write up in which definitely is less quirk and more mainstream tourist, highlighting Summerfest, the Lakefront Festival of the Arts, and the old John Byron's, which you either classify as Sanford's first home, or the fanciest Heinemann's in town. Oddly enough, I cannot find any reference to Milwaukee between 1989 and 2003. It was a dry period, apparently.
Hardcover Fiction:
1. The Goldfinch, by Donna Tartt
2. The Tilted World, by Tom Franklin and Beth Ann Fennelly
3. Identical, by Scott Turow
4. The Luminaries, by Eleanor Catton
5. Critical Mass, by Sara Paretsky (coming today, Sunday, at 3 pm. At Mystery One at 5 pm)
So yes, The Goldfinch finally landed. Did all that early New York Times buzz lift sales beyond where they might have been? Who knows? Here's a great on time review from Meg Wolitzer on NPR: "The day The Goldfinch arrived I promptly cracked it open, remembering how my sons would pounce on the latest Harry Potter on the day it was published. J.K. Rowling transformed a generation of kids into passionate readers. Donna Tartt does something different here — she takes fully grown, already passionate readers and reminds them of the particularly deep pleasures that a long, winding novel can hold. In the short-form era in which we live, the Internet has supposedly whittled our attention-spans down to the size of hotel soap, and it's good to be reminded that sometimes more is definitely more."
Hardcover Nonfiction:
1. Driven, by Donald Driver
2. Limping Through Life, by Jerry Apps
3. David and Goliath, by Malcolm Gladwell
4. I Believe in ZERO, by Caryl Stern
5. The Quiet Season, by Jerry Apps
While Jannis handled Caryl Stern's event at the Milwaukee Public Library and Hannah sold books at Bartolotta's Lake Park Bistro for Patricia Wells (the big sale on that will show up next week), I trekked to Grafton for their book festival on Saturday. While we've hosted Julia Pandl and Jerry Apps numerous times (this was actually our third Jerry Apps event in 2013!), this was my first time with Victoria Houston, who has a series of mysteries set in Milwaukee, the latest of which is Dead Insider (below). The Quiet Season isApps's new memoir of life during Wisconsin winters, and will be a public television special in early December. We all agreed that the Wisconsin Historical Society did a great job on the package.
Paperback Fiction:
1. Birth Offering, by Anthony Hains
2. Badlands, by Thomas Biel
3. The President's Hat, by Antoine Laurain
4. Dead Insider, by Victoria Houston
5. Dear Life, by Alice Munro
Two locals dominated this week's list. Thomas Biel's short stories were celebrated on Tuesday, while Hains launched his horror novel on Wednesday. Both had many Boswell regulars in attendance. I'm not Boris and Doris, or I'd name names. Signed copies of both books are available. Regarding ex-bookseller Alice Munro, we're selling more of a breadth of books than the national bestseller lists, where the newest, Dear Life, has been the focus.
Paperback Nonfiction:
1. Memoir of the Sunday Brunch, by Julia Pandl
2. Rural Wit and Wisdom, by Jerry Apps
3. 100 Things Packers Should Know and Do Before They Die, by Rob Reischel
4. Garden Wisdom, by Jerry Apps
5. The Great Cholesterol Myth, by Jonny Bowden
I told you we sold a lot of Apps! But we still got requests for things I didn't bring. Where's In a Pickle? Heck, Apps wrote three books this year alone. Regarding 100 Things Packers Should Know and Do Before They Die, I feel like Rob Reischel didn't really get his time to talk about this brand new book when he appeared with LeRoy Butler. He's now been on our bestseller list for three weeks running.
Books for Kids:
1. Allegiant, by Veronica Roth
2. House of Hades, by Rick Riordan
3. Desmond Pucket Makes Monster Magic, by Mark Tatulli
4. Letters from Hillside Farm, by Jerry Apps
5. Goodnight Moon Board Book, by Margaret Wise Brown
So I was out of town for our mini Veronica Roth party. Apparently Allegiant had a spectacular first week and I have to say, we also had a good sales number. Our first week was well more than double the best week we had on the hardcover of Inusurgent. I wish I'd seen the cupcakes!
In the Journal Sentinel., Jim Higgins looks at the slew of JFK assassination books on the 50th anniversary of the event.
Higgins also reviews The Rosie Project in the Journal Sentinel. He writes: "The first third of "The Rosie Project" opens as strongly as any comic novel I've read in a long time. The middle slice wobbles occasionally, perhaps in keeping with Don's own wobbly attempts to integrate what he's learning from Rosie. The book roars at high speed to its conclusion. It's a comedy, so we know where they're going."
Chris Foran covers A History of Britain in 36 Postage Stamps. As Foran notes, "Author Chris West comes by his philatelic fixation honestly. When he was a boy, he inherited his great-uncle's stamp collection, going back to the turn of the 20th century."
The big news for today is a small piece that you've probably already sent me. It's the Boswell mention in the 36 Hours column in The New York Times. If you're wondering, the Times covers Milwaukee about every five years. The 2008 edition gave a shout out to the old Renaissance Bookshop on Plankinton. The 2003 report had no bookstore but gave a high five to Beans and Barley.
Long-time readers of The New York Times column remember that it used to be configured as "What's doing in..." Here's a link to the 1989 write up in which definitely is less quirk and more mainstream tourist, highlighting Summerfest, the Lakefront Festival of the Arts, and the old John Byron's, which you either classify as Sanford's first home, or the fanciest Heinemann's in town. Oddly enough, I cannot find any reference to Milwaukee between 1989 and 2003. It was a dry period, apparently.
Hardcover Fiction:
1. The Goldfinch, by Donna Tartt
2. The Tilted World, by Tom Franklin and Beth Ann Fennelly
3. Identical, by Scott Turow
4. The Luminaries, by Eleanor Catton
5. Critical Mass, by Sara Paretsky (coming today, Sunday, at 3 pm. At Mystery One at 5 pm)
So yes, The Goldfinch finally landed. Did all that early New York Times buzz lift sales beyond where they might have been? Who knows? Here's a great on time review from Meg Wolitzer on NPR: "The day The Goldfinch arrived I promptly cracked it open, remembering how my sons would pounce on the latest Harry Potter on the day it was published. J.K. Rowling transformed a generation of kids into passionate readers. Donna Tartt does something different here — she takes fully grown, already passionate readers and reminds them of the particularly deep pleasures that a long, winding novel can hold. In the short-form era in which we live, the Internet has supposedly whittled our attention-spans down to the size of hotel soap, and it's good to be reminded that sometimes more is definitely more."
Hardcover Nonfiction:
1. Driven, by Donald Driver
2. Limping Through Life, by Jerry Apps
3. David and Goliath, by Malcolm Gladwell
4. I Believe in ZERO, by Caryl Stern
5. The Quiet Season, by Jerry Apps
While Jannis handled Caryl Stern's event at the Milwaukee Public Library and Hannah sold books at Bartolotta's Lake Park Bistro for Patricia Wells (the big sale on that will show up next week), I trekked to Grafton for their book festival on Saturday. While we've hosted Julia Pandl and Jerry Apps numerous times (this was actually our third Jerry Apps event in 2013!), this was my first time with Victoria Houston, who has a series of mysteries set in Milwaukee, the latest of which is Dead Insider (below). The Quiet Season isApps's new memoir of life during Wisconsin winters, and will be a public television special in early December. We all agreed that the Wisconsin Historical Society did a great job on the package.
Paperback Fiction:
1. Birth Offering, by Anthony Hains
2. Badlands, by Thomas Biel
3. The President's Hat, by Antoine Laurain
4. Dead Insider, by Victoria Houston
5. Dear Life, by Alice Munro
Two locals dominated this week's list. Thomas Biel's short stories were celebrated on Tuesday, while Hains launched his horror novel on Wednesday. Both had many Boswell regulars in attendance. I'm not Boris and Doris, or I'd name names. Signed copies of both books are available. Regarding ex-bookseller Alice Munro, we're selling more of a breadth of books than the national bestseller lists, where the newest, Dear Life, has been the focus.
Paperback Nonfiction:
1. Memoir of the Sunday Brunch, by Julia Pandl
2. Rural Wit and Wisdom, by Jerry Apps
3. 100 Things Packers Should Know and Do Before They Die, by Rob Reischel
4. Garden Wisdom, by Jerry Apps
5. The Great Cholesterol Myth, by Jonny Bowden
I told you we sold a lot of Apps! But we still got requests for things I didn't bring. Where's In a Pickle? Heck, Apps wrote three books this year alone. Regarding 100 Things Packers Should Know and Do Before They Die, I feel like Rob Reischel didn't really get his time to talk about this brand new book when he appeared with LeRoy Butler. He's now been on our bestseller list for three weeks running.
Books for Kids:
1. Allegiant, by Veronica Roth
2. House of Hades, by Rick Riordan
3. Desmond Pucket Makes Monster Magic, by Mark Tatulli
4. Letters from Hillside Farm, by Jerry Apps
5. Goodnight Moon Board Book, by Margaret Wise Brown
So I was out of town for our mini Veronica Roth party. Apparently Allegiant had a spectacular first week and I have to say, we also had a good sales number. Our first week was well more than double the best week we had on the hardcover of Inusurgent. I wish I'd seen the cupcakes!
In the Journal Sentinel., Jim Higgins looks at the slew of JFK assassination books on the 50th anniversary of the event.
Higgins also reviews The Rosie Project in the Journal Sentinel. He writes: "The first third of "The Rosie Project" opens as strongly as any comic novel I've read in a long time. The middle slice wobbles occasionally, perhaps in keeping with Don's own wobbly attempts to integrate what he's learning from Rosie. The book roars at high speed to its conclusion. It's a comedy, so we know where they're going."
Chris Foran covers A History of Britain in 36 Postage Stamps. As Foran notes, "Author Chris West comes by his philatelic fixation honestly. When he was a boy, he inherited his great-uncle's stamp collection, going back to the turn of the 20th century."
Saturday, October 26, 2013
Saturday Gift Post--Ladybug Girl and Willie plush, Bristle Blocks, Smencils, Retro Pets magnets.
This past few few weeks involved a lot of restocking. I received a four box shipment of Melissa and Doug, and that reminded me I have to pull down a few more boxes of product that I bought earlier and was planning to stage. Oh, the best laid plans!
Sometimes the timing is right on backorders. We got in a few Ladybug Girl dolls while we still had the display up for Ladybug Girl and the Big Snow. That Ladybug sure has a lot of adventures. I already see four books scheduled for 2014, including one featuring her Halloween adventures. That's handy, as she is already in costume.
On the other hand, I forgot to tell Amie that I was bringing in the Whistle for Willie dog. Though we carry several other books from Ezra Jack Keats, we don't have that one. Now we have to decide, hardcover, paperback, or board book. Believe it or not, our experience is that folks will generally by the hardcover with the plush, not the paperback. We'll see how it goes.
Several other out of stock items came back in the last few weeks. We're loaded up on Smencils, for example. That order was placed in July, with the hope of a little back-to-school action, but now it's a stocking stuffer.
One other item in the kid section that has been doing pretty well is Bristle Blocks. I don't have much room to display them, and I really like the plastic bucket format, as opposed to boxes. But one thing I've noticed is that folks have been trading up from the basic assortment to the jungle-themed one. Also pictured are some nice basic wooden blocks.
We still have some Folkmanis puppets to receive, but Anne just informed me that our tagging gun has gotten clogged and the finger puppets need some sort of price tag, as unlike the hand puppets, they don't come with one to just label. These things happen.
Also back in stock are the Schylling toy tops, magic wands, and some Peaceable Kingdom friendship bracelet kits. The first two have sold well for us in the past, and the bracelet is pretty much another variation on their sticker program. I also bought some assorted small sticker packs from Peaceable Kingdom, but our plexy display that I planned to put them in seems to be missing, alas.
On the adult side, we're still selling the Retro Pets dog magnets well, even after saying goodbye to super fan Halley. I think we've now brought in enough to get us through the holidays. I'm a particular fan of Pugtato Chips, which we hadn't previously stocked. I'm not sure why we skipped them.
Sometimes the timing is right on backorders. We got in a few Ladybug Girl dolls while we still had the display up for Ladybug Girl and the Big Snow. That Ladybug sure has a lot of adventures. I already see four books scheduled for 2014, including one featuring her Halloween adventures. That's handy, as she is already in costume.
On the other hand, I forgot to tell Amie that I was bringing in the Whistle for Willie dog. Though we carry several other books from Ezra Jack Keats, we don't have that one. Now we have to decide, hardcover, paperback, or board book. Believe it or not, our experience is that folks will generally by the hardcover with the plush, not the paperback. We'll see how it goes.
Several other out of stock items came back in the last few weeks. We're loaded up on Smencils, for example. That order was placed in July, with the hope of a little back-to-school action, but now it's a stocking stuffer.
One other item in the kid section that has been doing pretty well is Bristle Blocks. I don't have much room to display them, and I really like the plastic bucket format, as opposed to boxes. But one thing I've noticed is that folks have been trading up from the basic assortment to the jungle-themed one. Also pictured are some nice basic wooden blocks.
We still have some Folkmanis puppets to receive, but Anne just informed me that our tagging gun has gotten clogged and the finger puppets need some sort of price tag, as unlike the hand puppets, they don't come with one to just label. These things happen.
Also back in stock are the Schylling toy tops, magic wands, and some Peaceable Kingdom friendship bracelet kits. The first two have sold well for us in the past, and the bracelet is pretty much another variation on their sticker program. I also bought some assorted small sticker packs from Peaceable Kingdom, but our plexy display that I planned to put them in seems to be missing, alas.
On the adult side, we're still selling the Retro Pets dog magnets well, even after saying goodbye to super fan Halley. I think we've now brought in enough to get us through the holidays. I'm a particular fan of Pugtato Chips, which we hadn't previously stocked. I'm not sure why we skipped them.
Friday, October 25, 2013
No Visit to Austin Would be Complete Without a Trip to BookPeople.
Austin is famous for several things--music, technology, politics, and bats, among other things. But for a bibliophile, the biggest star on the map is reserved for BookPeople. Founded in 1970, it's just about four times as big as Boswell, spread over two selling floors, plus a third floor event space. I was in town for a bookseller conference, and I knew we were touring the store on Tuesday. That said, I couldn't resist taking an early peak and no surprise, I wound up spending well over an hour at the store.
Like many an independent store in a college town, their neighborhood was apparently once on the funky side, but now, aside from the Waterloo Records across the street, there are a lot of chain shops, like REI, Anthropologie, and Chicos. That said, I don't think you'd mistake BookPeople for a chain. They really play up their independence, and I'd expect nothing less from brains behind the "Keep Austin Weird" campaign, a mantra that is now part of Austin's DNA. There are staff recs everywhere, and though the signage is quite professional (not like our makeshift photocopied signs), there are a number of crafty signs for key displays too.
I'm always keeping an eye out for interesting sectioning, and Jason and I have talked about how unwieldy our fiction section is. I was intrigued by their breakout of historical fiction. It's a nice separation, and I wonder how it works. I like it!
BookPeople does a great job with their gifts too. I'm a bit nosy about these things, and usually decode the received date on labels. Yes, you can do this on many of our labels too. I was shocked by how up to date the bulk of their merchandise was. I went to an unnamed store in New England where I found gift product that was 4-5 years old.
Only long-timers know that BookPeople's origins were as a new age store. You can see a bit of it in that they sell Buddhas and incense. One of the Buddhas is well over $1000. Based on their assortment, I think they do very well with the pop culture-y stuff from vendors like Kikkerland, DCI, Fred, and Accoutrements. I bought a great UK card that if I bring in to Boswell, I will shout out BookPeople in a Saturday posting.
As I mentioned previously, I attended a reception at BookPeople where we got a tour of the store. The evening was sponsored by the University of Texas Press, where were treated to a presentation of some titles of interest, with a bag of bookish treats for later. Among the highlights was Diana Kennedy's My Mexico, a micro-history of the pecan (called The Pecan), and a timely history called The Family Jewels: The CIA, Secrecy, and Presidential Power. Texas is said to have a strong photography list, and I was intrigued by one of the entries they were touting called Photojournalists at War.
Did I mention how impressed I am by BookPeople's step and repeat? I learned this terminology from Kohl's, by the way, when we were working on the Lauren Conrad signing. It's what you see behind red carpet presentations. Talk about getting your name out there!
Most folks left after the reception and tour, but I was excited about that night's author event. It was our old friend William Joyce, whose new book is The Mischievians. This picture book chronicles those heretofore unknown creatures who are responsible for responsible for the disappearance of socks and the appearance of belly button lint. This field guide tells of two kids who meet Dr. Zooper, and learn about creatures like The Stinker, The Itcher, and The Endroller.
I am apparently bad luck, because the BookPeople folk were going to play the Academy Award winning short, "The Fantastic Flying Books of Mr. Morris Lessmore" but couldn't get the machine to play. Last year when we hosted Mr. Joyce, we pulled the short from Youtube, only it turned out to be an unauthorized edit. Fortunately nobody blamed me. I said hi and got a copy signed for Amie, who is a collector. Short or no short, we all enoyed the movie popcorn.
I mentioned there were lots of recommendations, not just from booksellers but from critics too. I found an end cap with recs from various media sources, and I was blown away that they had my NPR recs for Mary and Lou and Rhoda and Ted, as well as Queen of the Air. It got me a little weepy.
On the way out of town, I had time to stop by the BookPeople store at the airport. I was glad I hadn't located this location on the way in. Though decked in BookPeople blue, it was clearly a licensed store (much like the Red Balloon in the Minneapolis St. Paul airport, and the Barbara's at O'Hare) where the BookPeople folk were probably not even consulted on stock. It's the only way I can explain a front table display of Sh*t My Dad Says and the sequel, I Suck at Girls, which came out over a year ago to little attention.
Airports do this all the time nowadays, as localizing the airport retail assortment is a hot trend. You see that with restaurants at the Milwaukee airport. But the Rennaissance Bookshop at our airport is about as authentic as you can get. I'm just not sure whether these kinds of deals unlock a brand's value or waters it down. But then again, nobody's asked me.
Last story. A fellow bookseller and I left the store late to take a cab back to our hotel. A taxi showed up and there was some confusion as to whether the taxi was for us or two other women. We decided to share, even though it turned out our hotels were nowhere near each other. But we wound up having a great talk with this mother and daughter, who were having a bonding weekend. Both Mitchell and the mom had attended UC (that's Colorado, I think) and there was some discussion of who looked comparatively younger than their age. And where did they go for the evening? A BookPeople bag filled with books was their souvenir of the trip. How could I argue with that?
Like many an independent store in a college town, their neighborhood was apparently once on the funky side, but now, aside from the Waterloo Records across the street, there are a lot of chain shops, like REI, Anthropologie, and Chicos. That said, I don't think you'd mistake BookPeople for a chain. They really play up their independence, and I'd expect nothing less from brains behind the "Keep Austin Weird" campaign, a mantra that is now part of Austin's DNA. There are staff recs everywhere, and though the signage is quite professional (not like our makeshift photocopied signs), there are a number of crafty signs for key displays too.
I'm always keeping an eye out for interesting sectioning, and Jason and I have talked about how unwieldy our fiction section is. I was intrigued by their breakout of historical fiction. It's a nice separation, and I wonder how it works. I like it!
BookPeople does a great job with their gifts too. I'm a bit nosy about these things, and usually decode the received date on labels. Yes, you can do this on many of our labels too. I was shocked by how up to date the bulk of their merchandise was. I went to an unnamed store in New England where I found gift product that was 4-5 years old.
Only long-timers know that BookPeople's origins were as a new age store. You can see a bit of it in that they sell Buddhas and incense. One of the Buddhas is well over $1000. Based on their assortment, I think they do very well with the pop culture-y stuff from vendors like Kikkerland, DCI, Fred, and Accoutrements. I bought a great UK card that if I bring in to Boswell, I will shout out BookPeople in a Saturday posting.
As I mentioned previously, I attended a reception at BookPeople where we got a tour of the store. The evening was sponsored by the University of Texas Press, where were treated to a presentation of some titles of interest, with a bag of bookish treats for later. Among the highlights was Diana Kennedy's My Mexico, a micro-history of the pecan (called The Pecan), and a timely history called The Family Jewels: The CIA, Secrecy, and Presidential Power. Texas is said to have a strong photography list, and I was intrigued by one of the entries they were touting called Photojournalists at War.
Did I mention how impressed I am by BookPeople's step and repeat? I learned this terminology from Kohl's, by the way, when we were working on the Lauren Conrad signing. It's what you see behind red carpet presentations. Talk about getting your name out there!
Most folks left after the reception and tour, but I was excited about that night's author event. It was our old friend William Joyce, whose new book is The Mischievians. This picture book chronicles those heretofore unknown creatures who are responsible for responsible for the disappearance of socks and the appearance of belly button lint. This field guide tells of two kids who meet Dr. Zooper, and learn about creatures like The Stinker, The Itcher, and The Endroller.
I am apparently bad luck, because the BookPeople folk were going to play the Academy Award winning short, "The Fantastic Flying Books of Mr. Morris Lessmore" but couldn't get the machine to play. Last year when we hosted Mr. Joyce, we pulled the short from Youtube, only it turned out to be an unauthorized edit. Fortunately nobody blamed me. I said hi and got a copy signed for Amie, who is a collector. Short or no short, we all enoyed the movie popcorn.
I mentioned there were lots of recommendations, not just from booksellers but from critics too. I found an end cap with recs from various media sources, and I was blown away that they had my NPR recs for Mary and Lou and Rhoda and Ted, as well as Queen of the Air. It got me a little weepy.
On the way out of town, I had time to stop by the BookPeople store at the airport. I was glad I hadn't located this location on the way in. Though decked in BookPeople blue, it was clearly a licensed store (much like the Red Balloon in the Minneapolis St. Paul airport, and the Barbara's at O'Hare) where the BookPeople folk were probably not even consulted on stock. It's the only way I can explain a front table display of Sh*t My Dad Says and the sequel, I Suck at Girls, which came out over a year ago to little attention.
Airports do this all the time nowadays, as localizing the airport retail assortment is a hot trend. You see that with restaurants at the Milwaukee airport. But the Rennaissance Bookshop at our airport is about as authentic as you can get. I'm just not sure whether these kinds of deals unlock a brand's value or waters it down. But then again, nobody's asked me.
Last story. A fellow bookseller and I left the store late to take a cab back to our hotel. A taxi showed up and there was some confusion as to whether the taxi was for us or two other women. We decided to share, even though it turned out our hotels were nowhere near each other. But we wound up having a great talk with this mother and daughter, who were having a bonding weekend. Both Mitchell and the mom had attended UC (that's Colorado, I think) and there was some discussion of who looked comparatively younger than their age. And where did they go for the evening? A BookPeople bag filled with books was their souvenir of the trip. How could I argue with that?
Thursday, October 24, 2013
Today is Our Event with Donald Driver.
Today is our Donald Driver signing. We decided to close at Noon so we could make this work. It's a very large event, and we wanted as little to go wrong as possible. Bag check? Check. Hall passes to go to Starbucks? Check. Lots of signage? Check. Themed Duck Tape indicating where the line goes? Check. Even more signage? Check.
Are you attending? Don't forget there is no memorabilia, no books from home, and no personalizations. There are no posed photos,and we ask you to not have a camera phone out on the line, much like Lauren Conrad's event.
That said, Troy Freund of Troy Freund Photography will be taking candid shots of folks getting their books signed. Afterwards, these photos will be posted on the website. You'll be able to get a low-res picture free, but of course you can trade up to something higher res.
We were sold out for a while, but then it turned out that Mr. Driver's schedule was adjusted so that we could have slightly more time to accommodate more attendees. So yesterday we opened up more tickets. I'm glad I was able to make some more people happy.
We cannot offer any more signed copies, though we have a small stand-by list if we have leftover books after all the math is done. We had to figure in some damaged copies, for example and a possible shortage in our last second reorder.
It's all very exciting, but needless to say, I'm a little stressed! Let's hope everything goes swimmingly? Or should I have used a football metaphor. Let's redo that. Let's hope that this event is a touchdown!
I'll see you 700 books later.
Are you attending? Don't forget there is no memorabilia, no books from home, and no personalizations. There are no posed photos,and we ask you to not have a camera phone out on the line, much like Lauren Conrad's event.
That said, Troy Freund of Troy Freund Photography will be taking candid shots of folks getting their books signed. Afterwards, these photos will be posted on the website. You'll be able to get a low-res picture free, but of course you can trade up to something higher res.
We were sold out for a while, but then it turned out that Mr. Driver's schedule was adjusted so that we could have slightly more time to accommodate more attendees. So yesterday we opened up more tickets. I'm glad I was able to make some more people happy.
We cannot offer any more signed copies, though we have a small stand-by list if we have leftover books after all the math is done. We had to figure in some damaged copies, for example and a possible shortage in our last second reorder.
It's all very exciting, but needless to say, I'm a little stressed! Let's hope everything goes swimmingly? Or should I have used a football metaphor. Let's redo that. Let's hope that this event is a touchdown!
I'll see you 700 books later.
Wednesday, October 23, 2013
A Day in Austin. There's Nothing About Books Here, but I Should Note I was Reading Amy Tan the Whole Trip. Sometimes While I Was Walking...
Sometimes the only way to dig your way out of a blog hole is with a tiny shovel. And that's why I'm going back and finishing the posts that weren't done in my recent slew of 12 hours days and crazy events. My fallow period started with my trip to Austin. I'm not good at using electronics on flights, though we did get an email newsletter out during that period. I really, really like to read, and actually finished two books over the trip, which was much needed. And of course when you go to a conference, you're there to pick up ideas that you wouldn't get if you wouldn't attend. That means paying attention and not writing. So here we are, a bit of a mess.
No, this is not a book blog, though I can tell you that my soundtrack for the whole visit was Amy Tan's The Valley of Amazement. She's coming to Alverno's Pitman Theater on Monday, November 11, 7 pm. Buy tickets here.
Now you might say that I had a free day and why didn't I just sit in my hotel room or at a coffee shop and write, write, write? I'd never been to Austin and had no idea when I'd visit again. I just don't expect to speak at an SXSW conference, whether it's for music, film, or technology. They are all outside my wheelhouse, alas. So I got up that Sunday and walked around. Here are some things I saw of interest.
1. I collect capital cities, but when I started sorting it out, I've still been to less than half of them, and there were three where I visited the town and forgot to locate the building. I last did that in Des Moines, but admittedly, we were just passing through and decided to take the bypass. We did at least visit Beaverdale Books.
2. Due to a convention of funeral directors (not a joke), our hotel was a bit off the beaten path, but it was a short walk to Manor (pronounce with a long A) Road in East Austin, where there were a number of interesting places to eat. I wound up trying Hoover's, a soul food place, and as I do with this kind of joint, I went with an assortment of sides--fried okra, yams, green beans, and potatoes.
3. For my free day, I decided to walk to South Austin, as there seemed to be a lot happening on Congress. I headed down Martin Luther King Drive, which gave me a good tour of the government area, the State Capitol (of course), and some of the old and new downtown. Austin's one of those cities that grew tremendously; the old infrastructure doesn't look that much different from how I remember Lafayette, Indiana back when my sister taught at Purdue. But the new construction makes it look more like Denver. Sometimes the new and old mash together--it's an interesting mix.
4. Everywhere I went, I saw interesting public art. I am not a fan of the bronze sculptures of pioneer children I saw outside the State Capitol, but I dug this flower street lamp in South Austin and a buttered bread mural made me smile in East Austin. In one neighborhood, they took a cement wall and covered it with a mosaic of found glass. Art is good!
5. I wound up wandering through the food courts in the South Austin neighborhood. It wasn't quite like Milwaukee, where most of the food trucks move around to find customers, but more like Portland, where parking lots all over the city rented space to food trucks, which then became the destination. In Portland, however, it was more concentrated, whereas Austin's scene was more sprawly. I guess that's just Texas. Everything that was open had a long line, and that can be said for just about every eating venue I passed. If it was open and it had customers, it had a long wait. One of my friends said that some food trucks are purposely slow to make the line look longer. I withhold judgment on that one.
6. I almost had a donut at Gordough's. I was intrigued by the concept, but then decided the donuts might be too overwhelming, and I wasn't sure I liked the concept. I love donuts, but it seemed like this was one conceptual donut to which you added frippery. I am more of a Top Pot (Seattle) fan than Voodoo (Portland). I want the concept to start in the dough not just in the crazy stuff you put on top. I must say, though, I like the infusion concept that Donut Plant (New York) pushes. Yes, I think about this a lot.
7. The problem was that I was already full. I had just had two empanadas at the Fair Bean on 1st Avenue. I cut over to First as that seemed to be the street with all the coffee shops. At that point, I just needed the wifi to process our bestseller lists. But an empanada had just won the Top Chef challenge that week and I couldn't resist. I guess South First can be called Austin's coffee district; here's Yelp's list of the top zillion places to get coffee in Austin. I feel like the one with the longest line was Dominican Joe's. There were a lot of long lines--did I already mention that?
8. After meetings the next day, the suggestion was made to go to the river and see the bats. I guess 750,000 bats live under the Congress Avenue bridge, with more in summer. That evening, the bridge was several rows deep in tourists. Had I known this, I would have led gawkers through our college radio station, which also had bats. Alas, the photo didn't come out well, and it started pouring just before the witching hour when the bats come out, but you get the idea. Though this post was originally for October 23, it didn't get posted until Halloween. It all comes together, right?
9. I'm not going to tell you how great the hotel food was, because it wasn't, but we did have a very nice dinner at Swift's Attic, just a few blocks from our bat viewing. I thought it was great, though I think if you do a chef's choice menu, my advice is to be slightly more specific about how many dishes you want! Because we had vegetarians and pescatarians among us, the menu choices drifted to the veg and fish, but I'm sure the meat dishes were also good. I wish I'd been writing everything down, but I do particularly remember liking the albacore tataki.
10. I didn't visit a single music venue. I get tired at night! I walked down Sixth Street during the day. There was a lot of buzz about the female bicyclist riding topless.
11. It looks like I'll have to save my visit to Bookpeople for another blog post. But I will thank Bookpeople for being great hosts, and especially to Elizabeth, who led us to a great lunch spot, Salt and Time, back in East Austin. This butcher/salumeria made up for the lack of meat at our Swift's Attic dinner. I think salumeria translates as "salami store" but I wound up having a pulled pork sandwich. It was very exciting to see Sprecher root beer in the cooler.
No, this is not a book blog, though I can tell you that my soundtrack for the whole visit was Amy Tan's The Valley of Amazement. She's coming to Alverno's Pitman Theater on Monday, November 11, 7 pm. Buy tickets here.
Now you might say that I had a free day and why didn't I just sit in my hotel room or at a coffee shop and write, write, write? I'd never been to Austin and had no idea when I'd visit again. I just don't expect to speak at an SXSW conference, whether it's for music, film, or technology. They are all outside my wheelhouse, alas. So I got up that Sunday and walked around. Here are some things I saw of interest.
1. I collect capital cities, but when I started sorting it out, I've still been to less than half of them, and there were three where I visited the town and forgot to locate the building. I last did that in Des Moines, but admittedly, we were just passing through and decided to take the bypass. We did at least visit Beaverdale Books.
2. Due to a convention of funeral directors (not a joke), our hotel was a bit off the beaten path, but it was a short walk to Manor (pronounce with a long A) Road in East Austin, where there were a number of interesting places to eat. I wound up trying Hoover's, a soul food place, and as I do with this kind of joint, I went with an assortment of sides--fried okra, yams, green beans, and potatoes.
3. For my free day, I decided to walk to South Austin, as there seemed to be a lot happening on Congress. I headed down Martin Luther King Drive, which gave me a good tour of the government area, the State Capitol (of course), and some of the old and new downtown. Austin's one of those cities that grew tremendously; the old infrastructure doesn't look that much different from how I remember Lafayette, Indiana back when my sister taught at Purdue. But the new construction makes it look more like Denver. Sometimes the new and old mash together--it's an interesting mix.
4. Everywhere I went, I saw interesting public art. I am not a fan of the bronze sculptures of pioneer children I saw outside the State Capitol, but I dug this flower street lamp in South Austin and a buttered bread mural made me smile in East Austin. In one neighborhood, they took a cement wall and covered it with a mosaic of found glass. Art is good!
5. I wound up wandering through the food courts in the South Austin neighborhood. It wasn't quite like Milwaukee, where most of the food trucks move around to find customers, but more like Portland, where parking lots all over the city rented space to food trucks, which then became the destination. In Portland, however, it was more concentrated, whereas Austin's scene was more sprawly. I guess that's just Texas. Everything that was open had a long line, and that can be said for just about every eating venue I passed. If it was open and it had customers, it had a long wait. One of my friends said that some food trucks are purposely slow to make the line look longer. I withhold judgment on that one.
6. I almost had a donut at Gordough's. I was intrigued by the concept, but then decided the donuts might be too overwhelming, and I wasn't sure I liked the concept. I love donuts, but it seemed like this was one conceptual donut to which you added frippery. I am more of a Top Pot (Seattle) fan than Voodoo (Portland). I want the concept to start in the dough not just in the crazy stuff you put on top. I must say, though, I like the infusion concept that Donut Plant (New York) pushes. Yes, I think about this a lot.
7. The problem was that I was already full. I had just had two empanadas at the Fair Bean on 1st Avenue. I cut over to First as that seemed to be the street with all the coffee shops. At that point, I just needed the wifi to process our bestseller lists. But an empanada had just won the Top Chef challenge that week and I couldn't resist. I guess South First can be called Austin's coffee district; here's Yelp's list of the top zillion places to get coffee in Austin. I feel like the one with the longest line was Dominican Joe's. There were a lot of long lines--did I already mention that?
8. After meetings the next day, the suggestion was made to go to the river and see the bats. I guess 750,000 bats live under the Congress Avenue bridge, with more in summer. That evening, the bridge was several rows deep in tourists. Had I known this, I would have led gawkers through our college radio station, which also had bats. Alas, the photo didn't come out well, and it started pouring just before the witching hour when the bats come out, but you get the idea. Though this post was originally for October 23, it didn't get posted until Halloween. It all comes together, right?
9. I'm not going to tell you how great the hotel food was, because it wasn't, but we did have a very nice dinner at Swift's Attic, just a few blocks from our bat viewing. I thought it was great, though I think if you do a chef's choice menu, my advice is to be slightly more specific about how many dishes you want! Because we had vegetarians and pescatarians among us, the menu choices drifted to the veg and fish, but I'm sure the meat dishes were also good. I wish I'd been writing everything down, but I do particularly remember liking the albacore tataki.
10. I didn't visit a single music venue. I get tired at night! I walked down Sixth Street during the day. There was a lot of buzz about the female bicyclist riding topless.
11. It looks like I'll have to save my visit to Bookpeople for another blog post. But I will thank Bookpeople for being great hosts, and especially to Elizabeth, who led us to a great lunch spot, Salt and Time, back in East Austin. This butcher/salumeria made up for the lack of meat at our Swift's Attic dinner. I think salumeria translates as "salami store" but I wound up having a pulled pork sandwich. It was very exciting to see Sprecher root beer in the cooler.
Tuesday, October 22, 2013
A Tasha Turn Around--How a Visit to Bookpeople Got Me to Read "Behind the Shattered Glass," After I Originally Said I Couldn't Do the Event.
The answer was “No, we cannot host Tasha Alexander.” That's an odd way to sell a book in a blog post, right?
We had just come off our over-the-top event with Louise Penny (cupcakes! poutine!), and I was chatting with Sarah, the publicist at Minotaur. She suggested I host Tasha Alexander for her new book, Behind the Shattered Glass on the launch date, October 15.
Unike Louise Penny, we didn’t have the track to pull off a great event. In fact, I didn’t have Cara Black numbers or George Pelecanos numbers or even James Benn numbers. I had no numbers. This would not be the launch party of Tasha Alexander's dreams!
So I replied, “Oh, Sarah, not only are we booked (and we were completely booked for October, as all of you have well noticed), but I just don’t know how I’d even get five people to this event. I have no track at all. I have no reads. I don’t know what the talk is like. I just don't know how to make this event work."
But the story wasn’t over yet. I went to Austin for a book conference and wound up spending a lot of time at the host store, Bookpeople. How could I not? The store is legendary. Great events, great blog, great marketing (they pretty much invented the shop local movement with their “Keep Austin Weird” campaign, and really great people, from the top down. More on that in another post.
And look at that, Tasha Alexander was on the schedule. It seemed like an odd time for an event, Sunday at 4 pm, but I know how these things are, having hosted Alice McDermott on a Saturday at 11—you take what you can get. And anyway, it was convenient for me. And it just seemed like a sign.
The host, Scott, runs a store within a store called Mystery People. He's one of those folks who knows everyone and everything about mysteries. Alexander came with her husband, Andrew Grant, who has his own series of special agent mysteries. He was famous for publishing his newest on Createspace. I asked him about that experiment, and it turns out it was a one off (booksellers breathe a sigh of relief here). His next book is an everyman thriller and is under contract with Ballantine. Quite the personable guy, and speaks quite eloquently on the subject.
But I came for Tasha Alexander. What would she talk about? Could I sell this? And the answer is yes! The series is set in Victorian England and the heroine is a young woman of the upper classes with a knack for solving crimes. The series starts off with a bang, with her husband being murdered. The new mystery, Behind the Shattered Glass, turns on the death of a neighbor, the Marquess of Montegu. It turns out that there’s some complication about how the estate is being passed on, and several folks are under suspicion. I jumped right into the book and devoured it on my plane ride home.
Here's the thing. The whole book has a Jane Austen meets Downton Abbey vibe, set in the period just between the two. The class system is still in full force. The series chronicles the intellectual awakening of Lady Emily, and the changes that are coming to British life. It’s a fascinating period—these folks don’t know that their way of life is not long for this world. And of course Lady Emily is enlightened in some ways but not others. It reminds me of that line from of Laura Moriarty’s The Chaperone, which I quoted in this blog: “To someone who grows up by the stockyards, that smell just smells like the air."
So you’ve got the Upstairs/Downstairs things going on with every chapter divided into Lady Emily’s point of view and the servants, and you’ve also got some period detail, but not too much to overwhelm the story, and you’ve got a little Austen style romance too. I assume that every entry in the series has at least one pairing.
We chatted about her joining JASNA, the Jane Austen Society of North America . For a strict constructionist, this might not fit the bill for Jane Austen fans, but I could think of many others in the group who would be very interested in the period, and I found Alexander’s talk to be of interest to that fan base. I love her talking about the household getting a telephone and worrying about who might be on the other line? Who thinks about that now? But like email, can we be sure? Ah, another plot twist.
So I immediately wrote to our resident JASNA-ian Jane with a message that she had to read this. And then maybe Anne, our mystery fan. And who knows, perhaps Sharon? And then we’ll be all ready for Tasha Alexander’s next tour. She talked about the plot twist, which uses as a jumping off point, the story of Huguette Clark, who was in the inspiration for the bestselling Empty Mansions.
For now, I recommend either starting with the first book in the series, And Only to Deceive (if you are the kind of person who starts at the beginning) or jumping right in with Behind the Shattered Glass, which I can vouch is well done.I lean towards the latter, because like many authors, Alexander could well be getting better with each book.
Don't forget the advice of Carole E. Barrowman in the Journal Sentinel: "Behind the Shattered Glass is another smart, stylish and witty period mystery. In this book, more than the others I've read from the series, Lady Emily's spunk and spirit remind me of Harriet Vane, Dorothy Sayers' feminist sleuth. And that's a splendid thing."
Note: this blog was written on my trip to Austin, but got posted late, due to life getting in the way. I'll be doing some catch up over the next few days.
We had just come off our over-the-top event with Louise Penny (cupcakes! poutine!), and I was chatting with Sarah, the publicist at Minotaur. She suggested I host Tasha Alexander for her new book, Behind the Shattered Glass on the launch date, October 15.
Unike Louise Penny, we didn’t have the track to pull off a great event. In fact, I didn’t have Cara Black numbers or George Pelecanos numbers or even James Benn numbers. I had no numbers. This would not be the launch party of Tasha Alexander's dreams!
So I replied, “Oh, Sarah, not only are we booked (and we were completely booked for October, as all of you have well noticed), but I just don’t know how I’d even get five people to this event. I have no track at all. I have no reads. I don’t know what the talk is like. I just don't know how to make this event work."
But the story wasn’t over yet. I went to Austin for a book conference and wound up spending a lot of time at the host store, Bookpeople. How could I not? The store is legendary. Great events, great blog, great marketing (they pretty much invented the shop local movement with their “Keep Austin Weird” campaign, and really great people, from the top down. More on that in another post.
And look at that, Tasha Alexander was on the schedule. It seemed like an odd time for an event, Sunday at 4 pm, but I know how these things are, having hosted Alice McDermott on a Saturday at 11—you take what you can get. And anyway, it was convenient for me. And it just seemed like a sign.
The host, Scott, runs a store within a store called Mystery People. He's one of those folks who knows everyone and everything about mysteries. Alexander came with her husband, Andrew Grant, who has his own series of special agent mysteries. He was famous for publishing his newest on Createspace. I asked him about that experiment, and it turns out it was a one off (booksellers breathe a sigh of relief here). His next book is an everyman thriller and is under contract with Ballantine. Quite the personable guy, and speaks quite eloquently on the subject.
But I came for Tasha Alexander. What would she talk about? Could I sell this? And the answer is yes! The series is set in Victorian England and the heroine is a young woman of the upper classes with a knack for solving crimes. The series starts off with a bang, with her husband being murdered. The new mystery, Behind the Shattered Glass, turns on the death of a neighbor, the Marquess of Montegu. It turns out that there’s some complication about how the estate is being passed on, and several folks are under suspicion. I jumped right into the book and devoured it on my plane ride home.
Here's the thing. The whole book has a Jane Austen meets Downton Abbey vibe, set in the period just between the two. The class system is still in full force. The series chronicles the intellectual awakening of Lady Emily, and the changes that are coming to British life. It’s a fascinating period—these folks don’t know that their way of life is not long for this world. And of course Lady Emily is enlightened in some ways but not others. It reminds me of that line from of Laura Moriarty’s The Chaperone, which I quoted in this blog: “To someone who grows up by the stockyards, that smell just smells like the air."
So you’ve got the Upstairs/Downstairs things going on with every chapter divided into Lady Emily’s point of view and the servants, and you’ve also got some period detail, but not too much to overwhelm the story, and you’ve got a little Austen style romance too. I assume that every entry in the series has at least one pairing.
So I immediately wrote to our resident JASNA-ian Jane with a message that she had to read this. And then maybe Anne, our mystery fan. And who knows, perhaps Sharon? And then we’ll be all ready for Tasha Alexander’s next tour. She talked about the plot twist, which uses as a jumping off point, the story of Huguette Clark, who was in the inspiration for the bestselling Empty Mansions.
For now, I recommend either starting with the first book in the series, And Only to Deceive (if you are the kind of person who starts at the beginning) or jumping right in with Behind the Shattered Glass, which I can vouch is well done.I lean towards the latter, because like many authors, Alexander could well be getting better with each book.
Don't forget the advice of Carole E. Barrowman in the Journal Sentinel: "Behind the Shattered Glass is another smart, stylish and witty period mystery. In this book, more than the others I've read from the series, Lady Emily's spunk and spirit remind me of Harriet Vane, Dorothy Sayers' feminist sleuth. And that's a splendid thing."
Note: this blog was written on my trip to Austin, but got posted late, due to life getting in the way. I'll be doing some catch up over the next few days.
Monday, October 21, 2013
Monday Event Post--Tom Franklin, Sara Paretsky, Locals Anthony Hains and Thomas Biel, Plus Last Chance for Donald Driver Signing Tickets.
Tuesday, October 22, 4:30 pm, at Boswell:
Celebrate the release of Veronica Roth's Allegiant.
The much-anticipated explosive conclusion to Veronica Roth's bestselling Divergent trilogy will be one of the biggest books of the year. Everything about the third and final book in the series has been a closely-guarded secret.for now. But all will be revealed on Tuesday.
We're hosting an informal party at 4:30. The first folks who buy Allegiant (which is featured on Boswell's Best) will get a special cupcake from Milwaukee Cupcake Company. Meet other Roth fans, share your favorite parts of the first two books, talk about the upcoming movie, and then by all means, head home and read until you can't read anymore!
Tuesday, October 22, 7 pm, at Boswell:
Thomas Biel, author of Badlands.
Thomas Biel was born in Sydney, Montana, and raised across the Northwest-Mountain states of Oregon, Montana, and Wyoming. He's taught high school in Montana, Costa Rica, and Ecuador, and now lives in the Milwaukee area, and teaches at Rufus King A graduate of the University of Montana and the University of Northern Colorado, Biel has taught English for twenty-seven years at high schools in Montana, Costa Rica and Ecuador. He currently lives in Milwaukee, where he teaches at Rufus King International School. Biel is also the author of four plays, including Silver Bullet Day, which was most recently produced in Berlin, Germany.
Badlands is his first collection of stores, set in the badlands of eastern Montana. Matthew Davis, the collection's narrator, recalls how he and his friends navigated the tricky, switch-backed roads of life, sometimes barely hanging on—sometimes not—while the Vietnam War unfurled on the edges of everyday life, even in the small badlands town of Riverside. At the heart of Matthew's stories is his best friend, Idaho Wells, whose life is the one most etched n the violence that shapes the beauty of the badlands.
“Badlands is full of vivid images, striking turns of phrase, original metaphors, and funny, touching moments.”— Larry Watson, author of Montana 1948
Wednesday, October 23, 7 pm, at Boswell:
Anthony Hains, author of Birth Offering.
Anthony (Tony) Hains is a professor at UWM in counseling psychology, with a specialization in pediatric psychology; his research involves working with youth who have a chronic illness. He is married and lives in the Milwaukee area.
Birth Offering chronicles a boy thrust into a living nightmare, and the cumulative psychological impact of evil actions by multiple past generations, Birth Offering is the story of fourteen-year-old Ryan Perry. When he moves to his grandmother's coastal home in South Carolina, Ryan is haunted by a malevolent entity masquerading as his double—a specter of ancient evil intent on destroying him. As the hauntings become dangerous, Ryan encounters an additional threat: two menacing feral boys and their caretaker somehow connected to this other twin. Realizing that in order to save himself and his family, Ryan must confront the all-too-real presence of an unimaginable evil.
I am fascinated by how many academics have a horror novel inside them, waiting to be written.
Thursday, October 24, 2 pm, at Boswell:
a ticketed event with Donald Driver, author of Driven: From Homeless to Hero.
We are almost sold out of tickets to this event. Please visit Brown Paper Tickets now. Don't forget to order one ticket for every copy you want signed.
Each ticket includes entrance to the signing line and a copy of Driven. Mr. Driver will not be signing memorabilia; please leave such items at home. In order to make sure that Mr. Driver meets as many people as possible, there are no books allowed from home, no personalizations, and no posed photographs for this event.
While we will make every attempt to have additional books available for purchase the day of the event, we cannot guarantee stock beyond what has been pre-ordered. If you would like a specific quantity of signed books, we encourage you to order that many tickets in advance. We are not likely to have signed copies of Driven after this event is over, so plan your holiday gift giving now.
If you end up missing the event, don't fret! We will hold your signed book for you until you can make it in to the store to pick it up.
Thursday, October 24, 7 pm, at Boswell:
Tom Franklin and Beth Ann Fennelly, authors of The Tilted World.
The year is 1927. As rains swell the Mississippi, the mighty river threatens to burst its banks and engulf all in its path, including federal revenue agent Ted Ingersoll and his partner, Ham Johnson. Arriving in the tiny hamlet of Hobnob, Mississippi, to investigate the disappearance of two fellow agents on the trail of a local bootlegger, they unexpectedly find an abandoned baby boy at a crime scene.
An orphan raised by nuns, Ingersoll is determined to find the infant a home, a search that leads him to Dixie Clay Holliver. A lonely woman married too young to a charming and sometimes violent philanderer, Dixie Clay has lost her only child to illness and is powerless to resist this second chance at motherhood. From the moment they meet, Ingersoll and Dixie Clay are drawn to each other. He has no idea that she's the best bootlegger in the county and may be connected to the missing agents. And while he seems kind and gentle, Dixie Clay knows he is the enemy and must not be trusted.
Then a deadly new peril arises, endangering them all. A saboteur, hired by rich New Orleans bankers eager to protect their city, is planning to dynamite the levee and flood Hobnob, where the river bends precariously. Now, with time running out, Ingersoll, Ham, and Dixie Clay must make desperate choices, choices that will radically transform their lives-if they survive.
Alison Flood in the UK Observer writes: "Just like his Gold Dagger award-winning tale of a murder, Crooked Letter, Crooked Letter, Tom Franklin's new thriller The Tilted World, written with his wife, the poet Beth Ann Fennelly, immerses its readers in America's deep south. It's a thriller for those who like their fiction literary, or literary fiction for those who like their thrills."
Friday, October 25, 7 pm, at Boswell:
UWM Student/Faculty Reading.
Come for an evening of readings from future literary stars. Who knows? Perhaps we'll be announcing that one of these students from the the Department of English-Creative Writing at the University of Wisconsin-Milwaukee program has one a major prize and you'll be able to say you saw him or her at the beginning of their career.
Saturday, October 26, 11:30 am, at Lake Park Bistro, 3133 E. Newberry Blvd.53211, reservations required:
Patricia Wells, author of The French Kitchen Cookbook.
Since 1995, students have waited months and sometimes years, for the privilege of learning to cook with Patricia Wells at Chanteduc, her eighteenth-century Provençal farmhouse, and at her Parisian cooking studio. Now, the culinary legend invites home cooks into her life in France, making the recipes from her popular classes available to fans who dream of embarking on their own gastronomic adventure in the world's culinary capital.
Beautifully designed and lavishly illustrated with stunning color photos, The French Kitchen Cookbook is a compilation and reflection on what she and her students have learned: the satisfaction of preparing a perfect fruit tart; the pleasure of extracting a warm, fragrant, golden brioche from the oven; the giddiness of sharing a meal with a group of former strangers who quickly become lifelong friends.
Lunch with Patricia Wells at Lake Park Bistro, with recipes inspired from the book. Cost is $85 per person, plus tax and gratuity. Attendees will receive a signed copy of The French Kitchen Cookbook. For reservations, please call (414) 962-6300.
Sunday, October 27, 3 pm, at Boswell:
Sara Paretsky, author of Critical Mass.
We at Boswell are pleased to welcome back Sara Paretsky to Milwuakee, for her first visit in five years. Paretsky is the author of nineteen books, including her renowned V.I. Warshawski novels. She was named 2011 Grand Master by the Mystery Writers of America, and is also the recipient of the Cartier Diamond Dagger Award given by the British Crime Writers Association.
One of the most well-known and respected crime writers penning mysteries today, Sara Paretsky offers readers thrilling rides through Chicago without sacrificing anyone’s IQ. At the wheel is V.I. Warshawski, a heroine for the modern woman: tough, smart, fierce, snappy, and champion of the underdog.
The vehicle of Critical Mass is a missing person case that quickly veers out of control as it becomes clear that much more than a woman’s life is at stake. In 1939, Lotty Herschel escaped to London on the Kindertransport, along with her friend Kitty Binder. As close as family, they have been reunited in Chicago for some time. When Kitty's daughter finds her life is in danger, she calls Lotty, who, in turn, summons V.I. to help. The daughter's troubles turn out to be just the tip of an iceberg of lies, secrets, and silence, whose origins go back to the mad competition among America, Germany, Japan and England to develop the first atomic bomb. The secrets are old, but the people who continue to guard them today will not let go of them without a fight.
Take it from Marilyn Stasio in The New York Times, writing about Breakdown: “What really matters in a Sara Paretsky mystery are the crimes behind the crimes ¬– the corrupt politics, the class divisions, the economic inequities, the dirty business practices and all the other injustices that incite the wicked deeds we love to read about. Breakdown takes its first crack at a soft target: a cult series of lurid vampire novels that sends a group of impressionable pre-teenage girls into a graveyard to perform a giddy initiation ritual for their book club. But once V.I. Warshawski, the intrepid private eye who sees herself as “a street fighter, a product of the mills and ethnic wars of Chicago’s Steel City,” has rescued the girls from the trauma of discovering the murder victim, the true villains come into sharper focus.”
Can't make our event? Paretsky will also be appearing at Mystery One on Prospect Avenue at 5 pm.
Monday, October 28, 7 pm, at Boswell:
Robert Boswell (right), author of Tumbledown, in conversation with C.J. Hribal (below).
Robert Boswell’s books include the novels Crooked Hearts and Century's Son, a guide to the craft of writing fiction, and his numerous stories have appeared in the New Yorker, Best American Short Stories, and many other magazines. He is a recipient of two National Endowment for the Arts Fellowships, a Guggenheim Fellowship, and a PEN West Award for Fiction. Currently Boswell shares the Cullen Chair in Creative Writing at the University of Houston with his wife, writer Antonya Nelson.
Joining him in conversation will be C.J. Hribal of Marquette University. The authors both teach at the Warren Wilson College MFA Program for Writers, a low residency program nestled in the North Carolina hills.
His new novel, Tumbledown, received a glowing review from The New York Times Book Review earlier this year, with the reviewer noting, “Boswell can write the most refreshingly old-fashioned kind of narrative: one that evokes deep sympathy for all its characters. . . . All the novel’s characters know that in adulthood they’re supposed to settle for ‘what could pass for a normal life. Maybe it was a C- sort of life, but that was a passing grade.’ Still, they want to keep hope, wonder and love in their lives. . . . Without a whiff of sentimentality, he shows exactly how elusive such balance can be.”
Leading the cast of characters— who are all failing and succeeding in various degrees to make sense of our often-irrational world—is James Candler. At age thirty-three, he is nurturing a promising career as a therapist at a treatment facility, and has a fiancée, a sizeable house, and a Porsche. But . . . he’s falling in love with another woman, is underwater on his mortgage, and has put his hapless best friend in charge of his signature therapeutic program. While his clients are struggling in their own hilarious, heartbreaking ways to keep their lives on track, James has to wonder: how can he help them if he can’t help himself?
More about Robert Boswell and Tumbledown on an earlier post.
Celebrate the release of Veronica Roth's Allegiant.
The much-anticipated explosive conclusion to Veronica Roth's bestselling Divergent trilogy will be one of the biggest books of the year. Everything about the third and final book in the series has been a closely-guarded secret.for now. But all will be revealed on Tuesday.
We're hosting an informal party at 4:30. The first folks who buy Allegiant (which is featured on Boswell's Best) will get a special cupcake from Milwaukee Cupcake Company. Meet other Roth fans, share your favorite parts of the first two books, talk about the upcoming movie, and then by all means, head home and read until you can't read anymore!
Tuesday, October 22, 7 pm, at Boswell:
Thomas Biel, author of Badlands.
Thomas Biel was born in Sydney, Montana, and raised across the Northwest-Mountain states of Oregon, Montana, and Wyoming. He's taught high school in Montana, Costa Rica, and Ecuador, and now lives in the Milwaukee area, and teaches at Rufus King A graduate of the University of Montana and the University of Northern Colorado, Biel has taught English for twenty-seven years at high schools in Montana, Costa Rica and Ecuador. He currently lives in Milwaukee, where he teaches at Rufus King International School. Biel is also the author of four plays, including Silver Bullet Day, which was most recently produced in Berlin, Germany.
Badlands is his first collection of stores, set in the badlands of eastern Montana. Matthew Davis, the collection's narrator, recalls how he and his friends navigated the tricky, switch-backed roads of life, sometimes barely hanging on—sometimes not—while the Vietnam War unfurled on the edges of everyday life, even in the small badlands town of Riverside. At the heart of Matthew's stories is his best friend, Idaho Wells, whose life is the one most etched n the violence that shapes the beauty of the badlands.
“Badlands is full of vivid images, striking turns of phrase, original metaphors, and funny, touching moments.”— Larry Watson, author of Montana 1948
Wednesday, October 23, 7 pm, at Boswell:
Anthony Hains, author of Birth Offering.
Anthony (Tony) Hains is a professor at UWM in counseling psychology, with a specialization in pediatric psychology; his research involves working with youth who have a chronic illness. He is married and lives in the Milwaukee area.
Birth Offering chronicles a boy thrust into a living nightmare, and the cumulative psychological impact of evil actions by multiple past generations, Birth Offering is the story of fourteen-year-old Ryan Perry. When he moves to his grandmother's coastal home in South Carolina, Ryan is haunted by a malevolent entity masquerading as his double—a specter of ancient evil intent on destroying him. As the hauntings become dangerous, Ryan encounters an additional threat: two menacing feral boys and their caretaker somehow connected to this other twin. Realizing that in order to save himself and his family, Ryan must confront the all-too-real presence of an unimaginable evil.
I am fascinated by how many academics have a horror novel inside them, waiting to be written.
Thursday, October 24, 2 pm, at Boswell:
a ticketed event with Donald Driver, author of Driven: From Homeless to Hero.
We are almost sold out of tickets to this event. Please visit Brown Paper Tickets now. Don't forget to order one ticket for every copy you want signed.
Each ticket includes entrance to the signing line and a copy of Driven. Mr. Driver will not be signing memorabilia; please leave such items at home. In order to make sure that Mr. Driver meets as many people as possible, there are no books allowed from home, no personalizations, and no posed photographs for this event.
While we will make every attempt to have additional books available for purchase the day of the event, we cannot guarantee stock beyond what has been pre-ordered. If you would like a specific quantity of signed books, we encourage you to order that many tickets in advance. We are not likely to have signed copies of Driven after this event is over, so plan your holiday gift giving now.
If you end up missing the event, don't fret! We will hold your signed book for you until you can make it in to the store to pick it up.
Thursday, October 24, 7 pm, at Boswell:
Tom Franklin and Beth Ann Fennelly, authors of The Tilted World.
The year is 1927. As rains swell the Mississippi, the mighty river threatens to burst its banks and engulf all in its path, including federal revenue agent Ted Ingersoll and his partner, Ham Johnson. Arriving in the tiny hamlet of Hobnob, Mississippi, to investigate the disappearance of two fellow agents on the trail of a local bootlegger, they unexpectedly find an abandoned baby boy at a crime scene.
An orphan raised by nuns, Ingersoll is determined to find the infant a home, a search that leads him to Dixie Clay Holliver. A lonely woman married too young to a charming and sometimes violent philanderer, Dixie Clay has lost her only child to illness and is powerless to resist this second chance at motherhood. From the moment they meet, Ingersoll and Dixie Clay are drawn to each other. He has no idea that she's the best bootlegger in the county and may be connected to the missing agents. And while he seems kind and gentle, Dixie Clay knows he is the enemy and must not be trusted.
Then a deadly new peril arises, endangering them all. A saboteur, hired by rich New Orleans bankers eager to protect their city, is planning to dynamite the levee and flood Hobnob, where the river bends precariously. Now, with time running out, Ingersoll, Ham, and Dixie Clay must make desperate choices, choices that will radically transform their lives-if they survive.
Alison Flood in the UK Observer writes: "Just like his Gold Dagger award-winning tale of a murder, Crooked Letter, Crooked Letter, Tom Franklin's new thriller The Tilted World, written with his wife, the poet Beth Ann Fennelly, immerses its readers in America's deep south. It's a thriller for those who like their fiction literary, or literary fiction for those who like their thrills."
Friday, October 25, 7 pm, at Boswell:
UWM Student/Faculty Reading.
Come for an evening of readings from future literary stars. Who knows? Perhaps we'll be announcing that one of these students from the the Department of English-Creative Writing at the University of Wisconsin-Milwaukee program has one a major prize and you'll be able to say you saw him or her at the beginning of their career.
Saturday, October 26, 11:30 am, at Lake Park Bistro, 3133 E. Newberry Blvd.53211, reservations required:
Patricia Wells, author of The French Kitchen Cookbook.
Since 1995, students have waited months and sometimes years, for the privilege of learning to cook with Patricia Wells at Chanteduc, her eighteenth-century Provençal farmhouse, and at her Parisian cooking studio. Now, the culinary legend invites home cooks into her life in France, making the recipes from her popular classes available to fans who dream of embarking on their own gastronomic adventure in the world's culinary capital.
Beautifully designed and lavishly illustrated with stunning color photos, The French Kitchen Cookbook is a compilation and reflection on what she and her students have learned: the satisfaction of preparing a perfect fruit tart; the pleasure of extracting a warm, fragrant, golden brioche from the oven; the giddiness of sharing a meal with a group of former strangers who quickly become lifelong friends.
Lunch with Patricia Wells at Lake Park Bistro, with recipes inspired from the book. Cost is $85 per person, plus tax and gratuity. Attendees will receive a signed copy of The French Kitchen Cookbook. For reservations, please call (414) 962-6300.
Sunday, October 27, 3 pm, at Boswell:
Sara Paretsky, author of Critical Mass.
We at Boswell are pleased to welcome back Sara Paretsky to Milwuakee, for her first visit in five years. Paretsky is the author of nineteen books, including her renowned V.I. Warshawski novels. She was named 2011 Grand Master by the Mystery Writers of America, and is also the recipient of the Cartier Diamond Dagger Award given by the British Crime Writers Association.
One of the most well-known and respected crime writers penning mysteries today, Sara Paretsky offers readers thrilling rides through Chicago without sacrificing anyone’s IQ. At the wheel is V.I. Warshawski, a heroine for the modern woman: tough, smart, fierce, snappy, and champion of the underdog.
The vehicle of Critical Mass is a missing person case that quickly veers out of control as it becomes clear that much more than a woman’s life is at stake. In 1939, Lotty Herschel escaped to London on the Kindertransport, along with her friend Kitty Binder. As close as family, they have been reunited in Chicago for some time. When Kitty's daughter finds her life is in danger, she calls Lotty, who, in turn, summons V.I. to help. The daughter's troubles turn out to be just the tip of an iceberg of lies, secrets, and silence, whose origins go back to the mad competition among America, Germany, Japan and England to develop the first atomic bomb. The secrets are old, but the people who continue to guard them today will not let go of them without a fight.
Take it from Marilyn Stasio in The New York Times, writing about Breakdown: “What really matters in a Sara Paretsky mystery are the crimes behind the crimes ¬– the corrupt politics, the class divisions, the economic inequities, the dirty business practices and all the other injustices that incite the wicked deeds we love to read about. Breakdown takes its first crack at a soft target: a cult series of lurid vampire novels that sends a group of impressionable pre-teenage girls into a graveyard to perform a giddy initiation ritual for their book club. But once V.I. Warshawski, the intrepid private eye who sees herself as “a street fighter, a product of the mills and ethnic wars of Chicago’s Steel City,” has rescued the girls from the trauma of discovering the murder victim, the true villains come into sharper focus.”
Can't make our event? Paretsky will also be appearing at Mystery One on Prospect Avenue at 5 pm.
Monday, October 28, 7 pm, at Boswell:
Robert Boswell (right), author of Tumbledown, in conversation with C.J. Hribal (below).
Robert Boswell’s books include the novels Crooked Hearts and Century's Son, a guide to the craft of writing fiction, and his numerous stories have appeared in the New Yorker, Best American Short Stories, and many other magazines. He is a recipient of two National Endowment for the Arts Fellowships, a Guggenheim Fellowship, and a PEN West Award for Fiction. Currently Boswell shares the Cullen Chair in Creative Writing at the University of Houston with his wife, writer Antonya Nelson.
Joining him in conversation will be C.J. Hribal of Marquette University. The authors both teach at the Warren Wilson College MFA Program for Writers, a low residency program nestled in the North Carolina hills.
His new novel, Tumbledown, received a glowing review from The New York Times Book Review earlier this year, with the reviewer noting, “Boswell can write the most refreshingly old-fashioned kind of narrative: one that evokes deep sympathy for all its characters. . . . All the novel’s characters know that in adulthood they’re supposed to settle for ‘what could pass for a normal life. Maybe it was a C- sort of life, but that was a passing grade.’ Still, they want to keep hope, wonder and love in their lives. . . . Without a whiff of sentimentality, he shows exactly how elusive such balance can be.”
Leading the cast of characters— who are all failing and succeeding in various degrees to make sense of our often-irrational world—is James Candler. At age thirty-three, he is nurturing a promising career as a therapist at a treatment facility, and has a fiancée, a sizeable house, and a Porsche. But . . . he’s falling in love with another woman, is underwater on his mortgage, and has put his hapless best friend in charge of his signature therapeutic program. While his clients are struggling in their own hilarious, heartbreaking ways to keep their lives on track, James has to wonder: how can he help them if he can’t help himself?
More about Robert Boswell and Tumbledown on an earlier post.
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