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She's certainly been suitably lauded, what with the National Book Critics Circle Award, the Man Booker Prize, the Giller Prize (twice), and a three time honoree of Canada's Governor General's Award.
For years, Munro has been a star seller in literary fiction at indie bookstores. Whereas publishers always seemed to push women literary writers into the spring, Knopf kept Munro in the fall, and she always found a place in whatever holiday gift guide I was helping put together.
Munro recently announced that she was no longer going to publish fiction, and I wonder if that influenced the selection at all. One of the rules of the Nobel is that the award winner has to be living, and I'm sure there was at least some worry that the author's health might be in decline.
But when Alice Munro came along, we decided to try a literary event at Iron Block, partly thanks to my begging. I was working on the balcony of the store (now a FedEx Kinkos) as a buyer, and it seemed like at that point (yes, we're talking 19 years ago), all of her fans were concentrated in that location. By the next release, I don't think that would be the case.
I was part of a small group of booksellers I call in retrospect the Canadian crazies. In addition to myself, the other members were John and Nancy. Between them we read not just the stars like Margaret Atwood and Carol Shields, but also folks like Bonnie Burnard, Barbara Gowdy, Bronwyn Wallace, Anne Michaels, Gail Anderson-Dargatz, and a woman named Audrey Thomas, who I'm not even sure ever had an American release. A trip to Toronto was not complete without some bookstore visits. My favorites, Pages and This Ain't the Rosedale Library, are both gone, but John, whose territory as a sales rep now includes Toronto (can you say "dream come true?") says there are plenty of good bookstores left in town. Sigh of relief.
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Alas, it was a small turnout of maybe 15 people. It was a crazy event space, and I'm not sure if we really could have held more than 50 without obscured views. But if I could have said to the folks who were too busy, "You don't understand what a magical moment this is. If you don't come now, you will never see her." But while she had already won every Canadian award possible, she didn't start winning the high-profile American and international prizes until 1998.
It was indeed a magical moment that I will not forget. And as I dug through my books, I was pleased to find my signed copy of Open Secrets and the postcard invite that I clearly designed myself. Hey, who knows what future award winners you've already seen at Boswell. Hey, The Orphan Master's Son was awarded the Pulitzer, right?
This was supposed to be a short post. Maybe tomorrow.
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