Hardcover Fiction:
1. Katabasis (2 editions), by RF Kuang
2. Heart the Lover, by Lily King (Boswell October 24 event)
3. Emperor of Gladness, by Ocean Vuong
4. My Friends, by Fredrik Backman
5. Before the Coffee Gets Cold, by Tosdhikazu Kawaguchi
6. Atmosphere, by Taylor Jenkins Reid
7. Culpability, by Bruce Holsinger
8. So Far Gone, by Jess Walter (Boswell September 9 event)
9. Dungeon Crawler Carl V1, by Matt Dinniman
10. The Compound, by Aisling Rawle
Katabasis is by far the biggest release this week. There's a regular and a deluxe edition, and I'm surprised that the deluxe edition list price is only $3 more. The BookMarks score is six raves, a positive, and one pan. From Kiersten White in The New York Times: "Overall, Katabasis shines with devastatingly real characters and absorbing world building. Kuang’s sentences are delicious, her insights well-earned and deeply affecting. She’s also funny."
Hardcover Nonfiction:
1. Smart Brevity, by Jim VandeHei, Mike Allen, and Roy Schwartz
2. Arctic Passages, by Kieran Mulvaney (Shorewood Library September 15 event)
3. Mark Twain, by Ron Chernow
4. Destroy This House, by Amanda Uhle (Boswell September 5 event)
5. Everything Is Tuberculosis, by John Green
6. The Serviceberry, by Robin Wall Kimmerer
7. On Call, Anthony Fauci
8. The Worlds of Hiyao Miyazaki, by Nicolas Rapold
9. Ginseng Roots, by Craig Thompson
10. Dinner with King Tut, by Sam Kean
Only trade reviews for Destroy This House so far, according to Booklist (PW, Kirkus, BookPage, Library Journal) but I'm hoping the major reviewers get to it, as it's such a good memoir. Here's a teaser video of me talking to Uhle, in advance of her September 5 event. From Annie Bartlett in BookPage: "Stephen and Sandra never entirely gave up on their commitment to each other, and they wrapped their children in their happy fantasies. They never got on solid footing, and they damaged other people along the way. But they produced a brave, compassionate daughter whose memoir both makes you laugh and wrenches your heart."
Paperback Fiction:
1. When the Cranes Fly South, by Lisa Ridzén
2. I Who Have Never Known Men, by Jacqueline Harpman
3. Colored Television, by Danzy Senna
4. The Tainted Cup, by Robert Bennett Jackson (Hugo Award)
5. Remarkably Bright Creatures, by Shelby Van Pelt
6. All Fours, by Miranda July
7. Everyone Is Lying to You, by Jo Piazza
8. The Lion Women of Tehran, by Marjan Kamali
9. The Frozen River, by Ariel Lawhon
10. The History of Sound, by Ben Shattuck
We never got a top 10 slot for The History of Sound in hardcover, but I read it late, after the booksellers at Lake Forest told me that it was their #1 book - yes, other people recommended it, but I respond best to unusually sticky selling. It's connected stories that got four raves and a positive in BookMarks, but aside from the trades, the two consumer raves were from The Boston Globe and WBUR ("Extraordinary," says Carol Iaciofano Aucoin), so my guess is it sold best in New England! Film is coming this fall.
Paperback Nonfiction:
1. Land Rich, Cash Poor, by Brian Reisinger
2. Poets and Dreamers, by Tamara Saviano
3. The Politics of the Marvel Cinematic Universe V2, edited by Nicholas Carnes and Lilly J Goren
4. There's Always This Year, by Hanif Abdurraqib
5. Don't Say Please: The Oral History of Die Kreuzen, by Sahan Jayasuriya
6. Your Brain on Art, by Susan Magsamen and Ivy Ross
7. I Heard There Was a Secret Chord, by Daniel J Levitin
8. Autocracy Inc, by Anne Applebaum
9. Murdle V1, by GT Karber
10. Braiding Sweetgrass, by Robin Wall Kimmerer
Nice first week pop for I Heard There Was a Secret Chord: Music as Medicine, the latest from neurologist Daniel J Levitin. Three raves and three positives on BookMarks for this investigation into the healing power of music. From Publishers Weekly: "Enriching lucidly explained neuroscience with ebullient musical appreciation, Levitin makes a persuasive case for music's therapeutic potential that gives due to its medical promise without undercutting its mysteries."
Books for Kids:
1. Spooky Lakes, by Geo Rutherford (Boswell September 16 event)
2. Impossible Creatures, by Katherine Rundell (Boswell ticketed October 1 event)
3. Little Bunny Fall Is Here, by Deborah Marcero
4. Richard Scarry's Halloween Cars and Trucks
5. White Lies, by Ann Bausum
6. Sophie's Squash, by Pat Zietlow Miller, illustrations by Anne Wilsdorf
7. The Lost Women of Science, by Melina Gerosa Bellows and Katie Hafner
8. Lawrence in the Fall, by Matthew Farina, illustrations by Doug Salati
9. Orris and Timble V2: Lost and Found, by Kate DiCamillo, illustrations by Carmen Mok
10. Dog Man V12: The Scarlet Shredder, by Dav Pilkey
You can guess what display is working best in kids. The board book Little Bunny Fall Is Here is from Deborah Marcero. Board book originals (as opposed to ones adapted from hardcover picture books, though the book is an extension of the picture book In a Jar and its sequels) tend to not get reviews, even in the trades, but there appears to be a quote from School Library Journal on the Ingram site: "Soft, expressive illustrations pair perfectly with the gentle, rhythmic text." But it might be for one of the picture books.
2. Impossible Creatures, by Katherine Rundell (Boswell ticketed October 1 event)
3. Little Bunny Fall Is Here, by Deborah Marcero
4. Richard Scarry's Halloween Cars and Trucks
5. White Lies, by Ann Bausum
6. Sophie's Squash, by Pat Zietlow Miller, illustrations by Anne Wilsdorf
7. The Lost Women of Science, by Melina Gerosa Bellows and Katie Hafner
8. Lawrence in the Fall, by Matthew Farina, illustrations by Doug Salati
9. Orris and Timble V2: Lost and Found, by Kate DiCamillo, illustrations by Carmen Mok
10. Dog Man V12: The Scarlet Shredder, by Dav Pilkey
You can guess what display is working best in kids. The board book Little Bunny Fall Is Here is from Deborah Marcero. Board book originals (as opposed to ones adapted from hardcover picture books, though the book is an extension of the picture book In a Jar and its sequels) tend to not get reviews, even in the trades, but there appears to be a quote from School Library Journal on the Ingram site: "Soft, expressive illustrations pair perfectly with the gentle, rhythmic text." But it might be for one of the picture books.
























